[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:ventos-do-norte":3},"title: Ventos do Norte\ncomposer: Djavan\nstyle: Bossa Nova\nkey: C\nform: AAB, 28 bars\nrecording: Djavan; A Voz, o Violão, a Música de Djavan; Som Livre; 1976\nyoutube: Cpsymge3OLE\n# analysis: 2026-10-28, rules v2; C\n# recording: Som Livre 403.6092, Djavan's first LP, prod. Aloysio de Oliveira, his own first recording; rule 1; sources: Discogs; video: Som Livre \"Provided to YouTube\" upload, the album's 50th-anniversary edition (2026 remaster of the same recording), 3:17\n\nsection: Intro\n1  | Dm7     # ii: Dorian, the key’s own notes\n1  | F7      # tritone substitute: resolves down a half step to Em7\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A7      # V7\u002Fii in C: the b13 is in the key\n3  | Dm7     # ii: Dorian, the key’s own notes\n3  | F7      # tritone substitute: resolves down a half step to Em7\n4  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7      # V7\u002Fii in C: the b13 is in the key\n5  | Dm7     # ii: Dorian, the key’s own notes\n5  | F7      # tritone substitute: resolves down a half step to Em7\n6  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | A7      # V7\u002Fii in C: the b13 is in the key\n7  | Dm7     # ii of G7: Dorian\n\nsection: A1\n1  | G7      # V7\u002FI in C: natural tensions\n2  | Dm7     # ii: Dorian, the key’s own notes\n3  | Gm7     # ii of the ii–V to F\n3  | C7      # V7\u002FIV in C: natural tensions\n4  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n5  | BbMaj7  # ♭VIImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n6  | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Gm7     # a borrowed minor chord: Dorian, its own key\n7  | Gm7\u002FF   # a borrowed minor chord: Dorian, its own key\n8  | A7      # V7\u002Fii in C: the b13 is in the key\n8  | Dm7     # ii of G7: Dorian\n@segno 1\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | Gm7     # ii of the ii–V to F\n1  | C7      # V7\u002FIV in C: natural tensions\n2  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n2  | Bb7     # ♭VII7 from the parallel minor: Lydian Dominant\n3  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | A7      # V7\u002Fii in C: the b13 is in the key\n4  | Dm7     # ii: Dorian, the key’s own notes\n4  | Ab7     # tritone substitute: resolves down a half step to Gm7\n5  | Gm7     # ii of the ii–V to F\n5  | C7      # V7\u002FIV in C: natural tensions\n6  | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n6  | Bb7     # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | A7      # V7\u002Fii in C: the b13 is in the key\n8  | Dm7     # ii: Dorian, the key’s own notes\n8  | F7      # tritone substitute: resolves down a half step to Em7\n9  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n9  | A7      # V7\u002Fii in C: the b13 is in the key\n10 | Dm7     # ii: Dorian, the key’s own notes\n10 | F7      # tritone substitute: resolves down a half step to Em7\n11 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n11 | A7      # V7\u002Fii in C: the b13 is in the key\n12 | Dm7     # ii of G7: Dorian\n@coda 9\n@nav 12 D.S. al Coda\n\nsection: Coda\n1  | Dm7     # ii: Dorian, the key’s own notes\n1  | F7      # tritone substitute: resolves down a half step to Em7\n2  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A7      # V7\u002Fii in C: the b13 is in the key\n3  | Dm7     # ii: Dorian, the key’s own notes\n3  | F7      # tritone substitute: resolves down a half step to Em7\n4  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n@coda 1\n",1793484804293]