[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:velas":3},"title: Velas\naka: Velas Içadas\ncomposer: Ivan Lins\nstyle: Medium slow Latin funk\nkey: Bb\nform: AABC, 56 bars\nrecording: Quincy Jones; The Dude; A&M; 1981\nyoutube: UrRAhvYJ1a8\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded 1980, Westlake Recording Studios, Los Angeles, Toots Thielemans (guitar, harmonica, whistle), strings arranged by Johnny Mandel, A&M SP-3721; the chart follows the Quincy Jones version (Wikipedia, Discogs); video: \"Provided to YouTube by Virgin Music Group\", From Q, With Love (℗ 1981), the same take\n# as played by Quincy Jones; D.S. (to B) al Coda; the coda vamps and fades\n# the intro is from the Bobbi Norris LP, played on bass; on the Quincy Jones version guitar improvises over it\n\n# bar | chord\n\nsection: Intro\nbars: 8\n# area: Bb major (Intro 1 – B 1)\n1  | EbMaj7\u002FF   # IV: the #4 is the key’s 7th\n2  | BbMaj7\u002FF   # tonic: the 4th is in the key\n3  | Cm7\u002FF      # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | BbMaj7\u002FF   # tonic: the 4th is in the key\n5  | Cm7\u002FF      # static sus: Mixolydian\n6  | Dm7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | G9         # V7\u002Fii in Bb: the b13 is in the key\n# the coda is a 4-bar vamp: vamp, fill and fade\n@ending 1 3 4\n@ending 2 5 6\n\nsection: A\n# book: G9 marked sus4–3\n1  | Cm9        # ii of F9sus4: Dorian\n2  | F9sus4     # static sus: Mixolydian\n2  | Eb9sus4    # static sus: Mixolydian\n3  | BbMaj7\u002FD   # tonic: the 4th is in the key\n4  | G9sus4     # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | G9         # V7\u002Fii in Bb: the b13 is in the key\n5  | Cm9        # ii of F9sus4: Dorian\n6  | F9sus4     # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | F9         # V7 in Bb, not resolving: natural tensions\n7  | Db\u002FCb      # ♭III, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n8  | Bb7sus4    # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | Bb7        # I7 in Bb, not resolving: natural tensions\n8  | Bbm7       # a borrowed minor chord: Dorian, its own key\n8  | Bb7        # V7\u002Fiv in Bb: natural tensions\n9  | Ebm9       # ii of Ab9sus4: Dorian\n10 | Ab9sus4    # static sus: Mixolydian\n10 | Abm9       # a borrowed minor chord: Dorian, its own key\n11 | DbMaj7\u002FAb  # ♭IIImaj7, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n12 | G9sus4     # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n12 | G9         # extended dominant: V7 of C9sus4\n13 | C9sus4     # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n13 | C9         # extended dominant: V7 of F9sus4\n14 | F9sus4     # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n14 | F7         # V7 of Bb: natural tensions\n15 | BbMaj7     # tonic: the 4th is in the key\n16 | G9sus4     # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n16 | G9         # VI7 in Bb, not resolving: the b13 is in the key\n17 | Am7b5      # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n17 | D7#5b9     # V7\u002Fvi in Bb: b9 and b13 are in the key, the #11 from the symbol\n@ending 1 16\n@ending 2 17\n\nsection: B\n1  | Gm9        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1  | Gm7\u002FF      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: D major (B 2 – C 14)\n2  | Em7b5      # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | A7#5#9     # V7 of D: b9, #9, #11 and b13 from the symbol\n3  | DMaj7      # tonic: the 4th is in the key\n4  | C#m7b5     # iiø7 of B minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | F#7#5b9    # V7\u002Fvi in D: b9 and b13 are in the key, the #11 from the symbol\n5  | BmMaj7     # from the symbol: minor-major 7th\n5  | Bm7        # ii of E13sus: Dorian\n6  | E13sus     # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6  | E13#11     # extended dominant: V7 of A13sus; #11 from the symbol\n@segno 1\n\nsection: C\nbars: 21\n1  | A13sus     # static sus: Mixolydian\n2  | Am9        # a borrowed minor chord: Dorian, its own key\n3  | DMaj7\u002FA    # tonic: the 4th is in the key\n4  | B9sus4     # VI7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | B9         # extended dominant: V7 of E9sus4\n5  | E9sus4     # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n5  | E9         # extended dominant: V7 of A9sus4\n6  | A9sus4     # static sus: Mixolydian\n6  | Am11       # a borrowed minor chord: Dorian, its own key\n7  | DMaj7\u002FA    # tonic: the 4th is in the key\n8  | Am11       # a borrowed minor chord: Dorian, its own key\n9  | DMaj7\u002FA    # tonic: the 4th is in the key\n10 | Am11       # a borrowed minor chord: Dorian, its own key\n11 | F13sus     # static sus: Mixolydian\n12 | Fm11       # a borrowed minor chord: Dorian, its own key\n13 | Ab13sus    # static sus: Mixolydian\n14 | Abm11      # a borrowed minor chord: Dorian, its own key\n# area: Bb major (C 15 – Coda 1)\n15 | Gm7        # ii of C7: Dorian\n15 | C7         # extended dominant: V7 of F9sus4\n16 | F9sus4     # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n16 | F13        # V7 of Bb: natural tensions\n17 | BbMaj7     # tonic: the 4th is in the key\n18 | Am7b5      # iiø7 of D7#5b9: Locrian, the key's own notes (its ♭2 is a passing note)\n18 | D7#5b9     # V7\u002Fvi in Bb: b9 and b13 are in the key, the #11 from the symbol\n@coda 6\n@nav 18 D.S. al Coda\n\nsection: Coda\n1  | DMaj7\u002FA    # a non-tonic major chord: Lydian\n# area: D major (Coda 2–4)\n2  | A9sus4     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | DMaj7\u002FA    # tonic: the 4th is in the key\n4  | Am11       # a borrowed minor chord: Dorian, its own key\n",1793484804287]