[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:valsa":3},"title: Valsa\ncomposer: João Gilberto\nstyle: Brazilian\nkey: D\ntime: 3\u002F4\nform: AAB, 94 bars\nrecording: João Gilberto; João Gilberto; Polydor; 1973\nyoutube: 1BmuTGKxcMA\n# analysis: 2026-10-28, rules v2; D\n# recording: Polydor 2451 037 (the \"white album\"), as \"Valsa (Como São Lindos os Youguis) (Bebel)\", João Gilberto's own first recording; rule 1; sources: Discogs; video: JoaoGilbertoVEVO official audio, from the 1973 album, 3:19\n\nsection: A1\n# area: D major (A1 1–7)\n1  | DMaj7   # tonic: the 4th is in the key\n2  | D9      # I7 in D, not resolving: natural tensions\n3  | Em7     # ii of A13: Dorian\n4  | A13     # V7\u002FI in D: natural tensions\n5  | Am7     # ii of the ii–V to G\n6  | D7      # V7\u002FIV in D: natural tensions\n7  | GMaj7   # the D7 before it makes G the key of the moment: the 4th is in the key\n# area: F major (A1 8–17)\n8  | F#7#5   # tritone substitute: resolves down a half step to FMaj7; b13 from the symbol\n9  | FMaj7   # tonic: the 4th is in the key\n10 | E7      # extended dominant: V7 of A7\n11 | E7\n12 | A7      # III7 in F, not resolving: b9 and b13 are in the key\n13 | F#m7    # ii of B9: Dorian\n14 | B9      # extended ii–V: a side-step, its own key\n15 | Gm7     # ii of C9: Dorian\n16 | C9      # back door bVII7 to DMaj9: natural tensions\n17 | DMaj9   # a non-tonic major chord: Lydian\n# area: D major (A1 18–23)\n18 | D9      # V7\u002FIV in D: natural tensions\n19 | GMaj7   # the D9 before it makes G the key of the moment: the 4th is in the key\n20 | Gm6     # a minor sixth chord: Dorian\n21 | FMaj7   # ♭IIImaj7, borrowed from D minor: Lydian (its ♯11 is in the key)\n22 | D7      # V7\u002FIV in D: natural tensions\n23 | GMaj7   # the D7 before it makes G the key of the moment: the 4th is in the key\n# area: F major (A1 24–25)\n24 | F#7#5   # tritone substitute: resolves down a half step to FMaj7; b13 from the symbol\n25 | FMaj7   # tonic: the 4th is in the key\n# area: Eb major (A1 26–30)\n26 | E7      # tritone substitute: resolves down a half step to EbMaj7\n27 | EbMaj7  # tonic: the 4th is in the key\n28 | EbMaj7\n29 | DMaj9   # a non-tonic major chord: Lydian\n30 | DMaj9\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | G13     # III7 in Eb, not resolving: the b9 is in the key, the 13 from the symbol\n2  | DMaj9   # a non-tonic major chord: Lydian\n# area: D major (B 3–34)\n3  | G13     # tritone substitute: resolves down a half step to F#m7\n4  | F#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Gm7     # ii of C9: Dorian\n6  | C9      # extended ii–V: a side-step, its own key\n7  | F#7#5   # III7 in D, not resolving: b9 and b13 are in the key, the #11 from the symbol\n8  | F#7#5\n9  | E13     # II7 in D, not resolving: natural tensions\n10 | E7b13   # II7 in D, not resolving: the b13 from the symbol\n11 | D9      # extended dominant: V7 of G13\n12 | G13     # IV7 in D, not resolving: the #11 is in the key\n13 | Gm7     # ii of C9: Dorian\n14 | C9      # extended ii–V: a side-step, its own key\n15 | F#7#5   # extended dominant: each one falls a fifth into the next: #11 and b13 from the symbol\n16 | B7#9    # extended dominant: each one falls a fifth into the next: b9, #9 and #11 from the symbol\n17 | E13     # V7 of V7: the dominant of the dominant: natural tensions\n18 | A13     # extended dominant: V7 of D9\n19 | D9      # extended dominant: V7 of G13\n20 | G13     # tritone substitute: resolves down a half step to F#7\n21 | F#7     # extended dominant: V7 of B9\n22 | B9      # VI7 in D, not resolving: the b13 is in the key\n23 | G#m7b5  # iiø7 of C#9: Locrian, the key's own notes (its ♭2 is a passing note)\n24 | C#9     # V7\u002Fiii in D: the b13 is in the key, the 9 from the symbol\n25 | F#m7b5  # iiø7 of B9: Locrian, the key's own notes (its ♭2 is a passing note)\n26 | B9      # V7\u002Fii in D: the b13 is in the key\n27 | G#m7b5  # #ivø7 in D: Locrian, its own mode (the chord is outside the key)\n28 | G7#11   # IV7 in D, not resolving: the #11 is in the key\n29 | F#m7b5  # iiiø7 in D: Locrian, its own mode (the chord is outside the key)\n30 | F7      # ♭III7 from the parallel minor: Lydian Dominant\n31 | Em7b5   # iiø7, borrowed from D minor: Locrian\n32 | EbMaj7  # ♭IImaj7, borrowed from D Phrygian: Lydian (its ♯11 is in the key)\n33 | DMaj9   # tonic: the 4th is in the key\n34 | G13     # IV7 in D, not resolving: the #11 is in the key\n",1793484804280]