[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:up-jumped-spring":3},"title: Up Jumped Spring\nsubtitle: Jazz waltz (16 16 8 16)\ncomposer: Freddie Hubbard\nstyle: Waltz\nkey: Bb\ntime: 3\u002F4\nform: AABC, 56 bars\nrecording: Art Blakey and the Jazz Messengers; Three Blind Mice; United Artists; 1962\nyoutube: yi1_-XK4pGs\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded live 1962-03-18 at The Renaissance, Hollywood (Freddie Hubbard, Curtis Fuller, Wayne Shorter, Cedar Walton, Jymie Merritt), the first recording of it, with the composer on trumpet, UAJ 14002; Hubbard recorded it under his own name on Backlash (Atlantic, 1967) (jazzdisco, Wikipedia); video: \"Provided to YouTube by Universal Music Group\", Three Blind Mice, the 9:49 master, the same take (not the 5:18 alternate)\n\n# bar | chord | scale\n\nsection: A1\n# area: Bb major (A1 1 – A2 16)\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | G7alt   # from the symbol: altered\n3  | Cm7     # ii of F7: Dorian\n4  | F7      # V7\u002FI in Bb: natural tensions\n4  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n5  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Fm7     # a borrowed minor chord: Dorian, its own key\n7  | Em7     # ii of the ii–V to D minor\n8  | A7      # V7\u002Fiii in Bb: b9 and b13 are in the key\n9  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Ebm7    # a borrowed minor chord: Dorian, its own key\n11 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Ebm7    # a borrowed minor chord: Dorian, its own key\n13 | Bm7b5   # iiø7 of E7alt: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | E7alt   # from the symbol: altered\n15 | Cm7b5   # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | F7alt   # from the symbol: altered\n\nsection: A2\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | G7alt   # from the symbol: altered\n3  | Cm7     # ii of F7: Dorian\n4  | F7      # V7\u002FI in Bb: natural tensions\n4  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n5  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Fm7     # a borrowed minor chord: Dorian, its own key\n7  | Em7     # ii of the ii–V to D minor\n8  | A7      # V7\u002Fiii in Bb: b9 and b13 are in the key\n9  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Ebm7    # a borrowed minor chord: Dorian, its own key\n11 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Ebm7    # a borrowed minor chord: Dorian, its own key\n13 | Cm7     # ii of the ii–V to Bb\n14 | F7      # V7 of Bb: natural tensions\n15 | BbMaj7  # tonic: the 4th is in the key\n16 | Am7     # ii of the ii–V to G minor\n16 | D7      # V7\u002Fvi in Bb: b9 and b13 are in the key\n\nsection: B\n# area: F major (B 1–6)\n1  | Gm7     # ii of the ii–V to F\n2  | C7      # V7 of F: natural tensions\n3  | FMaj7   # tonic: the 4th is in the key\n4  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5  | Abm7    # ii of Db7: Dorian\n6  | Db7     # tritone substitute: resolves down a half step to Cm7\n# area: Bb major (B 7 – C 16)\n7  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7 of Bb: natural tensions\n\nsection: C\n1  | BbMaj7  # tonic: the 4th is in the key\n2  | G7alt   # from the symbol: altered\n3  | Cm7     # ii of F7: Dorian\n4  | F7      # V7\u002FI in Bb: natural tensions\n4  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n5  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Fm7     # a borrowed minor chord: Dorian, its own key\n7  | Em7     # ii of the ii–V to D minor\n8  | A7      # V7\u002Fiii in Bb: b9 and b13 are in the key\n9  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n10 | Ebm7    # a borrowed minor chord: Dorian, its own key\n11 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Ebm7    # a borrowed minor chord: Dorian, its own key\n13 | Cm7     # ii of F7: Dorian\n14 | F7      # V7\u002FI in Bb: natural tensions\n15 | BMaj7   # ♭IImaj7, borrowed from Bb Phrygian: Lydian (its ♯11 is in the key)\n16 | BMaj7\n16 | BbMaj7  # tonic: the 4th is in the key\n",1793484804266]