[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:unrequited":3},"title: Unrequited\ncomposer: Brad Mehldau\nstyle: Even 8ths\nkey: C\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A\n# area: E major (A 1–8)\n1  | Em7        # a borrowed minor chord: Dorian, its own key\n2  | CMaj7#11   # from the symbol: #11\n3  | Am6        # a minor sixth chord: Dorian\n4  | B7sus      # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n4  | B7         # V7 in E, not resolving: natural tensions\n5  | Cm6        # a minor sixth chord: Dorian\n6  | Gm\u002FBb      # a borrowed minor chord: Dorian, its own key\n7  | A7sus      # IV7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n7  | A7         # extended dominant: V7 of D7sus\n8  | D7sus      # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: G minor (A 8 – B 3)\n8  | D7         # V7 of G minor: b9 and b13 are in the key\n9  | Gm\u002FBb      # tonic minor: Dorian by convention\n10 | Cm9\u002FEb     # iv: Dorian, the key’s own notes\n11 | Cm6        # a minor sixth chord: Dorian\n12 | D7sus      # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n12 | D7         # V7 in G minor, not resolving: b9 and b13 are in the key\n13 | EbmMaj7    # from the symbol: minor-major 7th\n14 | Bbadd9\u002FF   # bIII of G minor: the relative major itself\n15 | D7\u002FF#      # V7 of G minor: b9 and b13 are in the key\n16 | Gm7        # tonic minor: Dorian by convention\n\nsection: B\n1  | AbmMaj7\u002FG  # from the symbol: minor-major 7th\n2  | BMaj7\u002FF#   # a non-tonic major chord: Lydian\n3  | Fm7b5      # bviiø7 in G minor: Locrian, its own mode (the chord is outside the key)\n# area: Bb minor (B 4–11)\n4  | F7#11      # V7 of Bb minor: 9, #11 and 13 from the symbol\n5  | Bbm        # tonic minor: Dorian by convention\n6  | F#m        # a borrowed minor chord: Dorian, its own key\n7  | AMaj7\u002FE    # a non-tonic major chord: Lydian\n8  | C#m\u002FE      # a borrowed minor chord: Dorian, its own key\n9  | Ebm7b5     # ivø7 in Bb minor: Locrian, its own mode (the chord is outside the key)\n10 | Eb7#11     # extended dominant: V7 of Ab7sus; #11 from the symbol\n11 | Ab7sus     # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: C# minor (B 12–16)\n12 | Ab7        # V7 of C# minor: b9 and b13 are in the key\n13 | C#m7       # tonic minor: Dorian by convention\n14 | Am9        # a borrowed minor chord: Dorian, its own key\n15 | F#7b9      # extended dominant: V7 of B7sus; b9 from the symbol\n16 | B7sus      # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: C major (B 16 – Coda 2)\n16 | B7         # V7\u002Fiii in C: b9 and b13 are in the key\n\nsection: Coda\n1  | E\u002FC        # a non-tonic major chord: Lydian\n2  | C6         # tonic: the 4th is in the key\n# area: E major (Coda 3–7)\n3  | B7sus      # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | E\u002FB        # tonic: the 4th is in the key\n5  | E7\u002FBb      # tritone substitute: resolves down a half step to Eb7\n6  | Eb7        # V7\u002Fiii in E: b9 and b13 are in the key\n7  | Abm9       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n@coda 1\n",1793575904650]