[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:unit-seven":3},"title: Unit Seven\nsubtitle: Swing and Latin (12 12 8 12)\ncomposer: Sam Jones\nstyle: Mixed\nkey: C\nform: AABC, 44 bars\nrecording: Sam Jones; Down Home; Riverside; 1962\nyoutube: t5TIb08myeo\n# analysis: 2026-10-22, rules v2; C, blues\n# recording: recorded 1962-06-25 or 08-15, Plaza Sound, New York, Sam Jones & Co. (Blue Mitchell, Snooky Young, Jimmy Cleveland, Frank Strozier, Jimmy Heath, Pat Patrick, Joe Zawinul, Ben Riley), arranged by Ernie Wilkins, as \"Unit 7\", Riverside RLP 432; Jones's own first recording, over Wes Montgomery's Smokin' at the Half Note (1965); sources: jazzdisco; video: \"Provided to YouTube by Universal Music Group\", Right Down Front (OJC compilation), the same take\n\n# bar | chord | scale\n\nsection: A1\n1  | C7      # I7 of the blues: a tonic with dominant color, Mixolydian\n5  | F7      # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n7  | C7      # I7 of the blues: a tonic with dominant color, Mixolydian\n8  | A7alt   # from the symbol: altered\n9  | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n10 | G7alt   # from the symbol: altered\n11 | C7      # I7 of the blues: a tonic with dominant color, Mixolydian\n11 | A7      # extended dominant: each one falls a fifth into the next: natural tensions\n12 | D7      # V7 of V7: the dominant of the dominant: natural tensions\n12 | G7alt   # from the symbol: altered\n\nsection: A2\n1  | C7      # I7 of the blues: a tonic with dominant color, Mixolydian\n5  | F7      # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n7  | C7      # I7 of the blues: a tonic with dominant color, Mixolydian\n8  | A7alt   # from the symbol: altered\n9  | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n10 | G7alt   # from the symbol: altered\n11 | C7      # I7 of the blues: a tonic with dominant color, Mixolydian\n12 | A7alt   # from the symbol: altered\n\nsection: B\n1  | Dm7     # ii of G7: Dorian\n2  | G7      # V7\u002FI in C: natural tensions\n3  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | A7alt   # from the symbol: altered\n5  | Dm7     # ii of G7: Dorian\n6  | G7      # V7\u002FI in C: natural tensions\n7  | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | A7      # V7\u002Fii in C: the b13 is in the key\n8  | Dm7     # ii of G7: Dorian\n8  | G7      # extended dominant: V7 of C7\n\nsection: C\n1  | C7      # I7 of the blues: a tonic with dominant color, Mixolydian\n5  | F7      # IV7 of the blues: a subdominant with dominant color, Mixolydian (the #11 is an extra color)\n7  | C7      # I7 of the blues: a tonic with dominant color, Mixolydian\n8  | A7alt   # from the symbol: altered\n9  | AbMaj7  # ♭VImaj7, borrowed from C minor: Lydian (its ♯11 is in the key)\n10 | G7alt   # from the symbol: altered\n11 | C7      # I7 of the blues: a tonic with dominant color, Mixolydian\n11 | A7alt   # from the symbol: altered\n12 | D7      # II7 in C, not resolving: natural tensions\n",1793484804259]