[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:un-poco-loco":3},"title: Un Poco Loco\ncomposer: Bud Powell\nstyle: Latin\nkey: C\nform: AAB, 48 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: Intro1\n# area: C major (Intro1 1 – A2 16)\n1  | Dm7        # ii of G7#5: Dorian\n1  | G7#5       # V7\u002FI in C: #11 and b13 from the symbol\n2  | Dm7        # ii of the ii–V to C\n2  | G7#5       # V7 of C: #11 and b13 from the symbol\n3  | CMaj7#11   # from the symbol: #11\n4  | CMaj7#11\n\nsection: Intro2\ncopy: Intro1\n\nsection: A1\n1  | EbMaj7#11  # from the symbol: #11\n2  | EbMaj7#11\n2  | DbMaj7#11  # from the symbol: #11\n3  | CMaj7#11   # from the symbol: #11\n4  | CMaj7#11\n5  | EbMaj7#11  # from the symbol: #11\n6  | EbMaj7#11\n6  | DbMaj7#11  # from the symbol: #11\n7  | CMaj7#11   # from the symbol: #11\n8  | CMaj7#11\n9  | D7         # tritone substitute: resolves down a half step to Db7\n10 | D7\n11 | Db7        # tritone substitute: resolves down a half step to CMaj7#11\n12 | Db7\n13 | CMaj7#11   # from the symbol: #11\n14 | CMaj7#11\n15 | CMaj7#11\n16 | CMaj7#11\n@segno 1\n@coda 16\n\nsection: A2\ncopy: A1\n\nsection: B\n# area: Eb major (B 1–9)\n1  | Fm7        # ii of the ii–V to Eb\n2  | Bb7        # V7 of Eb: natural tensions\n3  | EbMaj7     # tonic: the 4th is in the key\n4  | EbMaj7\n5  | Ebm7       # a borrowed minor chord: Dorian, its own key\n6  | Abm7       # iv7 from the parallel minor: Dorian, its notes\n7  | DbMaj7     # ♭VIImaj7, borrowed from Eb minor: Lydian (its ♯11 is in the key)\n8  | DbMaj7\n9  | Dm7b5      # iiø7 of G7: Locrian, the key's own notes (its ♭2 is a passing note)\n9  | G7         # V7\u002Fvi in Eb: b9 and b13 are in the key\n# area: C major (B 10 – Coda 2)\n10 | G7#9       # V7 of C: b9, #9 and #11 from the symbol\n11 | CMaj7      # tonic: the 4th is in the key\n12 | CMaj7\n12 | Bm7        # a borrowed minor chord: Dorian, its own key\n12 | Bb7        # tritone substitute: resolves down a half step to Am7\n13 | Am7        # ii of D7: Dorian\n13 | D7         # V7 of V7: the dominant of the dominant: natural tensions\n14 | D7\n15 | G7         # V7 in C, not resolving: natural tensions\n16 | Db7b5      # back door bVII7 to EbMaj7#11: the #11 is in the key, 9 and 13 from the symbol\n@nav 16 D.S. al Coda\n\nsection: Coda\n1  | Em7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | A7         # V7\u002Fii in C: the b13 is in the key\n# area: Gb major (Coda 3–7)\n3  | Dm7        # ii of G7: Dorian\n4  | G7         # tritone substitute: resolves down a half step to GbMaj7\n5  | GbMaj7     # tonic: the 4th is in the key\n6  | EMaj7      # ♭VIImaj7, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n7  | DMaj7      # ♭VImaj7, borrowed from Gb minor: Lydian (its ♯11 is in the key)\n# area: C major (Coda 8–12)\n8  | Db7        # tritone substitute: resolves down a half step to CMaj7\n9  | CMaj7      # tonic: the 4th is in the key\n10 | Db7        # tritone substitute: resolves down a half step to CMaj7\n11 | CMaj7      # tonic: the 4th is in the key\n12 | Db7        # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n@coda 1\n",1793575904547]