[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:two-sleepy-people":3},"title: Two Sleepy People\ncomposer: Hoagy Carmichael\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | Eb6     # tonic: the 4th is in the key\n1  | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | Eb6     # tonic: the 4th is in the key\n3  | C7      # V7\u002Fii in Eb: the b13 is in the key\n4  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # V7\u002FI in Eb: natural tensions\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | C7      # V7\u002Fii in Eb: the b13 is in the key\n6  | Fm7     # ii: Dorian, the key’s own notes\n6  | Abm6    # a minor sixth chord: Dorian\n7  | EbMaj7  # tonic: the 4th is in the key\n7  | F7      # II7 in Eb, not resolving: natural tensions\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | EbMaj7  # tonic: the 4th is in the key\n9  | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n9  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n9  | Bb7     # V7 of Eb: natural tensions\n10 | Eb6     # tonic: the 4th is in the key\n10 | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7  # IV: the #4 is the key’s 7th\n1  | Bb7     # V7 of Eb: natural tensions\n2  | Eb6     # tonic: the 4th is in the key\n2  | Bb7     # V7 of Eb: natural tensions\n2  | EbMaj7  # tonic: the 4th is in the key\n3  | Eb6     # tonic: the 4th is in the key\n3  | G7\u002FD    # V7\u002Fvi in Eb: b9 and b13 are in the key\n3  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3  | Cm7\u002FBb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Ab6     # IV: the #4 is the key’s 7th\n4  | Bb7     # V7 of Eb: natural tensions\n5  | Eb6     # tonic: the 4th is in the key\n5  | Bb7     # V7 of Eb: natural tensions\n6  | Eb6     # tonic: the 4th is in the key\n6  | Db7     # tritone substitute: resolves down a half step to C7\n6  | C7      # extended dominant: V7 of F7\n7  | F7      # II7 in Eb, not resolving: natural tensions\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n\nsection: A2\n1  | Eb6     # tonic: the 4th is in the key\n1  | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | Eb6     # tonic: the 4th is in the key\n3  | C7      # V7\u002Fii in Eb: the b13 is in the key\n4  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # V7\u002FI in Eb: natural tensions\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | C7      # V7\u002Fii in Eb: the b13 is in the key\n6  | Fm7     # ii: Dorian, the key’s own notes\n6  | Ab6     # IV: the #4 is the key’s 7th\n7  | EbMaj7  # tonic: the 4th is in the key\n7  | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n7  | F7      # V7 of V7: the dominant of the dominant: natural tensions\n7  | Bb7     # V7 of Eb: natural tensions\n8  | Eb6     # tonic: the 4th is in the key\n8  | Bb7     # V7 of Eb: natural tensions\n",1793575904531]