[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:turn-out-the-stars":3},"title: Turn Out The Stars\ncomposer: Bill Evans\nstyle: Ballad\nkey: Am\nform: ABC, 40 bars\n# analysis: 2026-10-31, rules v2; A minor\n\nsection: A\n# area: A minor (A 1–2)\n1  | Bm7b5    # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1  | E13      # V7 of A minor: the b9 is in the key, the 13 from the symbol\n2  | Am       # tonic minor: Dorian by convention\n2  | A7#5     # V7\u002Fiv in A minor: the b13 is in the key, the #11 from the symbol\n# area: C major (A 3–4)\n3  | Dm7      # ii of the ii–V to C\n3  | G7b9     # V7 of C: the b9 from the symbol\n4  | CMaj7    # tonic: the 4th is in the key\n4  | Am7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: Eb major (A 5–6)\n5  | Fm7      # ii of the ii–V to Eb\n5  | Bb7      # V7 of Eb: natural tensions\n6  | EbMaj7   # tonic: the 4th is in the key\n6  | Cm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: A minor (A 7–8)\n7  | Am7      # ii of the ii–V to G\n7  | D7       # V7\u002FbVII in A minor: natural tensions\n8  | GMaj7    # ♭VII of A minor: G major, the notes of A Dorian\n8  | Em7      # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n# area: B major (A 9 – B 1)\n9  | C#m7     # ii of the ii–V to B\n9  | F#7      # V7 of B: natural tensions\n10 | BMaj7    # tonic: the 4th is in the key\n10 | G#m7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | C#m7     # ii: Dorian, the key’s own notes\n12 | Bbm7b5   # iiø7 of Ab minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | Eb7      # V7\u002Fvi in B: b9 and b13 are in the key\n13 | Abm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n14 | Fm7b5    # iiø7 of Eb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | Bb7#9#5  # V7\u002Fiii in B: the b13 is in the key, b9, #9 and #11 from the symbol\n15 | Ebm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | Ebm7\u002FDb  # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n16 | BMaj7    # tonic: the 4th is in the key\n16 | Ebm7\u002FBb  # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n\nsection: B\n1  | A7sus    # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: D major (B 1–5)\n1  | A13b9    # V7 of D: the b9 from the symbol\n2  | DMaj7\u002FA  # tonic: the 4th is in the key\n3  | A7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | DMaj7\u002FA  # tonic: the 4th is in the key\n5  | G7sus    # IV7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: A minor (B 5 – C 4)\n5  | G13b9    # V7\u002FbIII in A minor: the b9 from the symbol\n6  | CMaj7\u002FG  # bIII of A minor: the relative major itself\n7  | G7sus    # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n7  | G7       # V7\u002FbIII in A minor: natural tensions\n8  | CMaj7\u002FG  # bIII of A minor: the relative major itself\n8  | C13      # tritone substitute: resolves down a half step to B7#5\n\nsection: C\n1  | B7#5     # V7\u002Fv in A minor: b9 and b13 are in the key, the #11 from the symbol\n2  | Em7      # v of a minor key: Phrygian, the key's own notes (its ♭2 is a passing note)\n2  | Bb7#11   # tritone substitute: resolves down a half step to A7#5\n3  | A7#5     # V7\u002Fiv in A minor: the b13 is in the key, the #11 from the symbol\n4  | Dm7      # iv: Dorian, the key’s own notes\n4  | Ab7#11   # tritone substitute: resolves down a half step to G7#5\n# area: C minor (C 5–11)\n5  | G7#5     # V7 of C minor: b9 and b13 are in the key, the #11 from the symbol\n6  | Cm7      # tonic minor: Dorian by convention\n6  | Eb9      # V7\u002FbVI in C minor: natural tensions\n7  | AbMaj7   # a non-tonic major chord: Lydian\n7  | C7b9     # V7\u002Fiv in C minor: the b13 is in the key, the b9 from the symbol\n8  | Fm9      # iv: Dorian, the key’s own notes\n9  | Dm7b5    # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n9  | G7#9#5   # V7 of C minor: the b13 is in the key, b9, #9 and #11 from the symbol\n10 | Cm7      # tonic minor: Dorian by convention\n10 | Eb7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n11 | AbMaj7   # a non-tonic major chord: Lydian\n# area: A minor (C 11–16)\n11 | G7b9     # V7\u002FbIII in A minor: the b9 from the symbol\n12 | CMaj7    # bIII of A minor: the relative major itself\n12 | F#7#11   # V7\u002Fii in A minor: 9, #11 and 13 from the symbol\n13 | Bm7b5    # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n13 | E13      # V7 of A minor: the b9 is in the key, the 13 from the symbol\n14 | Am       # tonic minor: Dorian by convention\n15 | Ab7sus   # VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n15 | Ab13b9   # V7\u002Fiii in A minor: b9 and #11 are in the key\n16 | C#m7     # ii of F#7: Dorian\n16 | F#7      # V7\u002Fii in A minor: b9 and b13 are in the key\n",1793575904472]