[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:try-a-little-tenderness":3},"title: Try A Little Tenderness\ncomposer: Harry Woods\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | EbMaj7    # tonic: the 4th is in the key\n1  | Cm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Fm7       # ii of the ii–V to Eb\n2  | Bb7       # V7 of Eb: natural tensions\n3  | Eb6       # tonic: the 4th is in the key\n3  | Gm7b5\u002FDb  # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7        # extended dominant: each one falls a fifth into the next: natural tensions\n5  | F7        # V7 of V7: the dominant of the dominant: natural tensions\n6  | Bb7       # V7 in Eb, not resolving: natural tensions\n7  | Gm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | C7        # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7       # ii of the ii–V to Eb\n8  | Bb7       # V7 of Eb: natural tensions\n9  | Eb6       # tonic: the 4th is in the key\n10 | Bbm7      # ii of the ii–V to Ab\n10 | Eb7       # V7\u002FIV in Eb: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7    # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | Dm7b5     # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | G7b9      # V7\u002Fvi in Eb: b9 and b13 are in the key\n3  | Cm7       # ii of F7: Dorian\n4  | F7        # V7\u002FV in Eb: natural tensions\n5  | Fm7       # ii: Dorian, the key’s own notes\n6  | Gm7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7        # V7\u002Fii in Eb: the b13 is in the key\n7  | Fm7       # ii of the ii–V to Eb\n8  | Bb7       # V7 of Eb: natural tensions\n\nsection: A2\n1  | EbMaj7    # tonic: the 4th is in the key\n1  | Cm7       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Fm7       # ii of the ii–V to Eb\n2  | Bb7       # V7 of Eb: natural tensions\n3  | Eb6       # tonic: the 4th is in the key\n3  | Gm7b5\u002FDb  # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7        # extended dominant: each one falls a fifth into the next: natural tensions\n5  | F7        # V7 of V7: the dominant of the dominant: natural tensions\n6  | Bb7       # V7 of Eb: natural tensions\n7  | Eb6       # tonic: the 4th is in the key\n8  | Fm7       # ii of the ii–V to Eb\n8  | Bb7       # V7 of Eb: natural tensions\n",1793575904440]