[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:troubled-waters":3},"title: Troubled Waters\ncomposer: Arthur Johnston\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n# area: F major (A1 1 – B 2)\n1 | Dm6    # a minor sixth chord: Dorian\n2 | Gm7    # ii: Dorian, the key’s own notes\n2 | E7     # extended dominant: each one falls a fifth into the next: natural tensions\n3 | A7     # extended dominant: each one falls a fifth into the next: natural tensions\n4 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n5 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n6 | C7     # V7 of F: natural tensions\n7 | F6     # tonic: the 4th is in the key\n8 | Bb7    # tritone substitute: resolves down a half step to A7\n8 | A7     # III7 in F, not resolving: b9 and b13 are in the key\n9 | Bm7b5  # iiø7 of E7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n9 | E7b9   # extended dominant: V7 of A7; b9 from the symbol\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | A7     # extended dominant: V7 of D7\n2 | D7     # VI7 in F, not resolving: the b13 is in the key\n# area: D major (B 3–5)\n3 | E7     # V7 of V7: the dominant of the dominant: natural tensions\n4 | A7     # V7 of D: natural tensions\n5 | D6     # tonic: the 4th is in the key\n5 | A7\u002FC#  # V7 of the D6 before it: natural tensions\n# area: F major (B 6 – A2 8)\n6 | Bm7    # ii of E7: Dorian\n6 | E7     # V7 of A7, on the way to D minor: b9 and b13 are in the key\n7 | A7     # V7 of D minor, the chain's last link: b9 and b13 are in the key\n8 | A7\n\nsection: A2\n1 | Dm6    # a minor sixth chord: Dorian\n2 | Gm7    # ii: Dorian, the key’s own notes\n2 | E7     # extended dominant: each one falls a fifth into the next: natural tensions\n3 | A7     # extended dominant: each one falls a fifth into the next: natural tensions\n4 | D7     # extended dominant: each one falls a fifth into the next: natural tensions\n5 | G7     # V7 of V7: the dominant of the dominant: natural tensions\n6 | C7     # V7 of F: natural tensions\n7 | F6     # tonic: the 4th is in the key\n8 | Bb7    # tritone substitute: resolves down a half step to A7\n8 | A7     # V7\u002Fvi in F: b9 and b13 are in the key\n",1793575904429]