[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:triste":3},"title: Triste\nsubtitle: Bossa nova\ncomposer: Antonio Carlos Jobim\nstyle: Latin\nkey: Bb\nform: ABCD, 32 bars\nrecording: Antonio Carlos Jobim; Wave; A&M; 1967\nyoutube: vhTH-Fv-c-g\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded May 1967, Van Gelder Studio, Englewood Cliffs, Jobim with Claus Ogerman (arr.), Ron Carter, Urbie Green, prod. Creed Taylor (A&M\u002FCTI SP 3002); Jobim's own first recording of the tune; sources: Wikipedia; video: Universal Music Group \"Provided to YouTube\" upload, album Wave, released 1967-06-15, 2:10\n\n# bar | chord | scale\n# the lead sheet repeats Bbm7 Eb7 for two more bars before going back to the top\n\nsection: A\n# area: Bb major (A 1 – B 3)\n1 | BbMaj7  # tonic: the 4th is in the key\n3 | GbMaj7  # ♭VImaj7, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n4 | B7#11   # tritone substitute: resolves down a half step to BbMaj7\n5 | BbMaj7  # tonic: the 4th is in the key\n7 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n\nsection: B\n1 | Cm      # ii: Dorian, the key’s own notes\n1 | Cm\u002FBb   # ii: Dorian, the key’s own notes\n2 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | D7alt   # from the symbol: altered\n3 | Gm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Gm\u002FF    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: D major (B 4–7)\n4 | Em7b5   # iiø7 of D: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7alt   # from the symbol: altered\n5 | DMaj7   # tonic: the 4th is in the key\n6 | Em7     # ii of the ii–V to D minor\n6 | A7      # V7 of D: natural tensions\n7 | Dm7     # ii of the ii–V to C minor\n7 | G7      # V7\u002Fbvii in D: the #11 is in the key\n# area: Bb major (B 8 – D 8)\n8 | Cm7     # ii of the ii–V to Bb\n8 | F7      # V7 of Bb: natural tensions\n\nsection: C\n1 | BbMaj7  # tonic: the 4th is in the key\n3 | GbMaj7  # ♭VImaj7, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n4 | B7#11   # tritone substitute: resolves down a half step to BbMaj7\n5 | BbMaj7  # tonic: the 4th is in the key\n7 | Fm7     # ii of the ii–V to Eb\n8 | Bb7b9   # V7\u002FIV in Bb: the b9 from the symbol\n\nsection: D\n1 | EbMaj7  # the Bb7b9 before it makes Eb the key of the moment: the 4th is in the key\n2 | Ab7#11  # tritone substitute: resolves down a half step to Gm7\n3 | Gm7     # ii of C7#11: Dorian\n4 | C7#11   # V7\u002FV in Bb: the #11 from the symbol\n5 | Cm7     # ii of the ii–V to Bb minor\n6 | F7      # V7 of Bb: natural tensions\n7 | Bbm7    # ii of Eb7: Dorian\n8 | Eb7     # extended ii–V: a side-step, its own key\n",1793484804180]