[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:triste-reharm":3},"title: Triste (Reharmonized)\ncomposer: Antonio Carlos Jobim\nstyle: Bossa nova\nkey: A\nform: AB, 32 bars\n# analysis: 2026-10-19, rules v2; A\n\n# bar | chord\n\nsection: A\n# area: A major (A 1–11)\n1  | AMaj7       # tonic: the 4th is in the key\n3  | FMaj7#11\u002FA  # from the symbol: #11\n# alt: bar 3 (FMaj7)\n# book: FMa7(b5)\u002FA\n5  | AMaj7       # tonic: the 4th is in the key\n7  | C#m7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | F#7#5       # V7\u002Fii in A: the b13 is in the key, the #11 from the symbol\n9  | Bm7         # ii: Dorian, the key’s own notes\n10 | G#m7b5      # iiø7 of F# minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | C#7         # V7\u002Fvi in A: b9 and b13 are in the key\n11 | F#mMaj7     # from the symbol: minor-major 7th\n11 | F#m7        # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: C# major (A 12–15)\n12 | G#7#5#9     # V7 of C#: b9, #9, #11 and b13 from the symbol\n# book: G#7(#9 #5)\n13 | C#Maj7      # tonic: the 4th is in the key\n14 | G#13        # V7 of C#: natural tensions\n15 | C#Maj7      # tonic: the 4th is in the key\n15 | F#7         # V7\u002Fbvii in C#: the #11 is in the key\n# area: A major (A 16 – B 15)\n16 | Bm7         # ii of the ii–V to A\n16 | E7          # V7 of A: natural tensions\n\nsection: B\nbars: 16\n1  | AMaj7       # tonic: the 4th is in the key\n3  | Am7         # a borrowed minor chord: Dorian, its own key\n4  | Am6         # a minor sixth chord: Dorian\n5  | AMaj7       # tonic: the 4th is in the key\n7  | Em7         # ii of the ii–V to D\n8  | A7          # V7\u002FIV in A: natural tensions\n9  | DMaj7       # the A7 before it makes D the key of the moment: the 4th is in the key\n10 | Dm6         # a minor sixth chord: Dorian\n11 | C#m7        # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Cdim7       # passing diminished: B7♭9 without its B, the E9sus4's dominant (Bm7 its ii)\n13 | Bm7         # ii of E9sus4: Dorian\n14 | E9sus4      # static sus: Mixolydian\n14 | E7sus4b9    # from the symbol: sus b9\n15 | Am          # a borrowed minor chord: Dorian, its own key\n# alt: bars 15–16 (Am7 Am6 | Am7 Am6)\n",1793484804187]