[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:trinkle-tinkle":3},"title: Trinkle Tinkle\ncomposer: Thelonious Monk\nstyle: Medium Swing\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: Intro\n1  | Bbm7    # ii of Eb7: Dorian\n1  | Eb7     # V7\u002FIV in Eb: natural tensions\n2  | A7#11   # tritone substitute: resolves down a half step to Ab7\n3  | Ab7     # extended dominant: V7 of Db7\n3  | Db7     # extended dominant: V7 of F#7\n4  | F#7     # extended dominant: V7 of B7\n4  | B7      # extended dominant: V7 of E7\n5  | E7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n5  | Fm7     # ii of the ii–V to Eb\n6  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n7  | EbMaj7  # tonic: the 4th is in the key\n8  | EbMaj7\n9  | Bbm7    # ii of the ii–V to Ab\n10 | Eb7#11  # V7\u002FIV in Eb: the #11 from the symbol\n11 | AbMaj7  # the Eb7#11 before it makes Ab the key of the moment: the 4th is in the key\n12 | Gm7b5   # iiiø7 in Eb: Locrian, its own mode (the chord is outside the key)\nalt 12 | C7b9\u002FG  # VI7 in Eb, not resolving: the b13 is in the key, the b9 from the symbol\n13 | Cm7     # ii of F7: Dorian\n13 | F7      # V7\u002FV in Eb: natural tensions\n14 | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n14 | A7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\nalt 14 | Db7     # ♭VII7 from the parallel minor: Lydian Dominant\nalt 14 | D7      # VII7 in Eb, not resolving: b9 and b13 are in the key\n15 | F#7     # extended dominant: V7 of B7\n15 | B7      # ♭VI7 from the parallel minor: Lydian Dominant\nalt 15 | Dm7     # ii of the ii–V to C minor\nalt 15 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n16 | Fm7     # ii of Bb7: Dorian\n16 | Bb7     # V7\u002FI in Eb: natural tensions\nalt 16 | Cm7     # ii of the ii–V to Bb minor\nalt 16 | F7      # V7\u002Fv in Eb: natural tensions\n17 | Bbm7    # ii of Eb7: Dorian\n17 | Eb7     # V7\u002FIV in Eb: natural tensions\n18 | A7#11   # tritone substitute: resolves down a half step to Ab7\n19 | Ab7     # extended dominant: V7 of Db7\n19 | Db7     # extended dominant: V7 of F#7\n20 | F#7     # extended dominant: V7 of B7\n20 | B7      # extended dominant: V7 of E7\n21 | E7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n21 | Fm7     # ii of the ii–V to Eb\n22 | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n23 | EbMaj7  # tonic: the 4th is in the key\n24 | EbMaj7\n@time 6 2\u002F4\n\nsection: A1\n1  | Bbm7    # ii of Eb7: Dorian\n1  | Eb7     # V7\u002FIV in Eb: natural tensions\n2  | A7#11   # tritone substitute: resolves down a half step to Ab7\n3  | Ab7     # extended dominant: V7 of Db7\n3  | Db7     # extended dominant: V7 of F#7\n4  | F#7     # extended dominant: V7 of B7\n4  | B7      # extended dominant: V7 of E7\n5  | E7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n5  | Fm7     # ii of the ii–V to Eb\n6  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n7  | EbMaj7  # tonic: the 4th is in the key\n8  | EbMaj7\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | Bbm7    # ii of the ii–V to Ab\n2  | Eb7#11  # V7\u002FIV in Eb: the #11 from the symbol\n3  | AbMaj7  # the Eb7#11 before it makes Ab the key of the moment: the 4th is in the key\n4  | Gm7b5   # iiiø7 in Eb: Locrian, its own mode (the chord is outside the key)\nalt 4  | C7b9\u002FG  # VI7 in Eb, not resolving: the b13 is in the key, the b9 from the symbol\n5  | Cm7     # ii of F7: Dorian\n5  | F7      # V7\u002FV in Eb: natural tensions\n6  | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n6  | A7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\nalt 6  | Db7     # ♭VII7 from the parallel minor: Lydian Dominant\nalt 6  | D7      # VII7 in Eb, not resolving: b9 and b13 are in the key\n7  | F#7     # extended dominant: V7 of B7\n7  | B7      # ♭VI7 from the parallel minor: Lydian Dominant\nalt 7  | Dm7     # ii of the ii–V to C minor\nalt 7  | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n8  | Fm7     # ii of Bb7: Dorian\n8  | Bb7     # V7\u002FI in Eb: natural tensions\nalt 8  | Cm7     # ii of the ii–V to Bb minor\nalt 8  | F7      # V7\u002Fv in Eb: natural tensions\n\nsection: A3\n1  | Bbm7    # ii of Eb7: Dorian\n1  | Eb7     # V7\u002FIV in Eb: natural tensions\n2  | A7#11   # tritone substitute: resolves down a half step to Ab7\n3  | Ab7     # extended dominant: V7 of Db7\n3  | Db7     # extended dominant: V7 of F#7\n4  | F#7     # extended dominant: V7 of B7\n4  | B7      # extended dominant: V7 of E7\n5  | E7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n5  | Fm7     # ii of the ii–V to Eb\n6  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n7  | EbMaj7  # tonic: the 4th is in the key\n8  | EbMaj7\n",1793575904360]