[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:travessia":3},"title: Travessia\ncomposer: Milton Nascimento\nstyle: Bossa Nova\nkey: A\nform: ABCC, 36 bars\nrecording: Milton Nascimento; Milton Nascimento; Codil; 1967\nyoutube: tBa2Z28oPRU\n# analysis: 2026-10-28, rules v2; A\n# recording: Ritmos\u002FCodil CDL 13.004, Milton's first LP (arr. Luiz Eça; later reissued as Travessia), the composers' own first recording, after the song placed second at the II FIC (1967); rule 1; sources: Discogs; video: Dubas Música (the label that reissues the album) channel upload, 4:02\n\nsection: Intro1\n1  | A         # tonic: the 4th is in the key\n1  | A\u002FE       # tonic: the 4th is in the key\n2  | Bm7\u002FE     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | A         # tonic: the 4th is in the key\n3  | A\u002FE       # tonic: the 4th is in the key\n4  | Bm7\u002FE     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | AMaj7     # tonic: the 4th is in the key\n2  | D#m7b5    # #ivø7 in A: Locrian, its own mode (the chord is outside the key)\n2  | D6        # IV: the #4 is the key’s 7th\n3  | AMaj7     # tonic: the 4th is in the key\n3  | Bm7\u002FE     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n4  | AMaj7     # tonic: the 4th is in the key\n4  | Bm7\u002FE     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5  | AMaj7     # tonic: the 4th is in the key\n5  | G#m7      # a borrowed minor chord: Dorian, its own key\n6  | F#m7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6  | Bm7       # ii: Dorian, the key’s own notes\n7  | Em7       # ii of the ii–V to D\n7  | A7        # V7\u002FIV in A: natural tensions\n8  | DMaj7     # the A7 before it makes D the key of the moment: the 4th is in the key\n8  | DMaj7\u002FA   # IV: the #4 is the key’s 7th\n9  | DMaj7     # IV: the #4 is the key’s 7th\n9  | G7        # ♭VII7 from the parallel minor: Lydian Dominant\n10 | G#m7      # ii of the ii–V to F# minor\n10 | C#7       # V7\u002Fvi in A: b9 and b13 are in the key\n11 | F#m7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | F#m7\u002FE    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | D#m7b5    # #ivø7 in A: Locrian, its own mode (the chord is outside the key)\n12 | DMaj7     # IV: the #4 is the key’s 7th\n13 | AMaj7     # tonic: the 4th is in the key\n13 | Bm7\u002FA     # ii: Dorian, the key’s own notes\n14 | AMaj7     # tonic: the 4th is in the key\n14 | F#m7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n15 | Bm7       # ii of the ii–V to A\n15 | E7        # V7 of A: natural tensions\n\nsection: B\n1  | A         # tonic: the 4th is in the key\n1  | A\u002FE       # tonic: the 4th is in the key\n2  | Bm7\u002FE     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3  | A         # tonic: the 4th is in the key\n3  | A\u002FE       # tonic: the 4th is in the key\n4  | Bm7\u002FE     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n@coda 4\n\nsection: C\n1  | AMaj7     # tonic: the 4th is in the key\n2  | Em7\u002FA     # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2  | A7        # I7 in A, not resolving: natural tensions\n3  | F#m7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | C#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | DMaj7     # IV: the #4 is the key’s 7th\n6  | E7\u002FD      # V7 in A, not resolving: natural tensions\n7  | F#m7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Bm7       # ii of E7: Dorian\n8  | E7        # V7\u002FI in A: natural tensions\n9  | Bm7       # ii of the ii–V to A\n9  | E7        # V7 of A: natural tensions\n10 | A         # tonic: the 4th is in the key\n10 | A\u002FE       # tonic: the 4th is in the key\n11 | Bm7\u002FE     # static sus: Mixolydian\n@ending 1 7 8\n@ending 2 9 11\n\nsection: Coda1\n1  | A         # tonic: the 4th is in the key\n2  | AMaj7#11  # from the symbol: #11\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484804173]