[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:travels":3},"title: Travels\ncomposer: Pat Metheny\nstyle: Even 8ths\nkey: G\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1 – B 6)\n1 | GMaj7    # tonic: the 4th is in the key\n2 | Gadd9\u002FB  # tonic: the 4th is in the key\n3 | C        # IV: the #4 is the key’s 7th\n3 | C\u002FD      # IV: the #4 is the key’s 7th\n4 | GMaj7    # tonic: the 4th is in the key\n4 | B7       # V7\u002Fvi in G: b9 and b13 are in the key\n5 | Em       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | Dm       # a borrowed minor chord: Dorian, its own key\n6 | Cadd9    # IV: the #4 is the key’s 7th\n7 | Em       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | C\u002FD      # IV: the #4 is the key’s 7th\n8 | G        # tonic: the 4th is in the key\n8 | Dsus     # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n9 | G        # tonic: the 4th is in the key\n9 | F\u002FG      # ♭VII, borrowed from G minor: Lydian (its ♯11 is in the key)\n9 | G        # tonic: the 4th is in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | C        # IV: the #4 is the key’s 7th\n1 | D        # V without its 7th: Mixolydian, the key’s own notes\n2 | BbMaj7   # ♭IIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n2 | C        # IV: the #4 is the key’s 7th\n3 | FMaj7    # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n3 | G        # tonic: the 4th is in the key\n4 | C        # IV: the #4 is the key’s 7th\n4 | Bb\u002FC     # ♭III, borrowed from G minor: Lydian (its ♯11 is in the key)\n4 | C        # IV: the #4 is the key’s 7th\n5 | FMaj7    # ♭VIImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n5 | G7       # I7 in G, not resolving: natural tensions\n6 | EbMaj7   # ♭VImaj7, borrowed from G minor: Lydian (its ♯11 is in the key)\n6 | Fsus     # ♭VII7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n# area: Bb major (B 6–8)\n6 | F7       # V7 of Bb: natural tensions\n7 | BbMaj7   # tonic: the 4th is in the key\n7 | C        # a non-tonic major chord: Lydian\n8 | Dsus     # static sus: Mixolydian\n8 | D        # a non-tonic major chord: Lydian\n\nsection: A2\n# area: G major (A2 1 – Coda 8)\n1 | GMaj7    # tonic: the 4th is in the key\n2 | GMaj7\u002FB  # tonic: the 4th is in the key\n3 | CMaj7    # IV: the #4 is the key’s 7th\n3 | CMaj7\u002FD  # IV: the #4 is the key’s 7th\n4 | GMaj7    # tonic: the 4th is in the key\n4 | B7       # V7\u002Fvi in G: b9 and b13 are in the key\n5 | Em7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | Dm9      # a borrowed minor chord: Dorian, its own key\n6 | CMaj7    # IV: the #4 is the key’s 7th\n7 | Em7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | C\u002FD      # IV: the #4 is the key’s 7th\n8 | Gadd9    # tonic: the 4th is in the key\n8 | C\u002FD      # IV: the #4 is the key’s 7th\n@coda 7\n\nsection: Coda\n1 | C\u002FD      # IV: the #4 is the key’s 7th\n2 | GMaj7    # tonic: the 4th is in the key\n2 | G        # tonic: the 4th is in the key\n2 | D\u002FF#     # V without its 7th: Mixolydian, the key’s own notes\n3 | Em       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | C\u002FD      # IV: the #4 is the key’s 7th\n4 | GMaj7    # tonic: the 4th is in the key\n4 | B7       # V7\u002Fvi in G: b9 and b13 are in the key\n5 | Em       # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | C\u002FD      # IV: the #4 is the key’s 7th\n6 | GMaj7    # tonic: the 4th is in the key\n6 | D\u002FF#     # V without its 7th: Mixolydian, the key’s own notes\n7 | Em7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7 | C\u002FD      # IV: the #4 is the key’s 7th\n8 | GMaj7    # tonic: the 4th is in the key\n@coda 1\n",1793575904326]