[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:too-young":3},"title: Too Young\ncomposer: Lippman, Dee\nstyle: Ballad\nkey: Bb\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A\n1  | Bb6     # tonic: the 4th is in the key\n2  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7 of Bb: natural tensions\n5  | Bb6     # tonic: the 4th is in the key\n6  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | EbMaj7  # IV: the #4 is the key’s 7th\n8  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7      # V7\u002Fii in Bb: the b13 is in the key\n9  | Cm7     # ii: Dorian, the key’s own notes\n9  | Cm7\u002FBb  # ii: Dorian, the key’s own notes\n10 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | D7b9    # V7\u002Fvi in Bb: b9 and b13 are in the key\n11 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n12 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | Db7     # tritone substitute: resolves down a half step to Cm7\n13 | Cm7     # ii of F7: Dorian\n14 | F7      # V7\u002FI in Bb: natural tensions\n15 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n15 | G7      # V7\u002Fii in Bb: the b13 is in the key\n16 | Cm7     # ii of the ii–V to Bb\n16 | F7      # V7 of Bb: natural tensions\n\nsection: B\n1  | Bb6     # tonic: the 4th is in the key\n2  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Cm7     # ii of the ii–V to Bb\n4  | F7      # V7 of Bb: natural tensions\n5  | Bb6     # tonic: the 4th is in the key\n6  | Bb7     # V7\u002FIV in Bb: natural tensions\n7  | Eb6     # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n8  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7      # V7\u002Fii in Bb: the b13 is in the key\n9  | Cm7     # ii: Dorian, the key’s own notes\n10 | Ebm7    # iv7 from the parallel minor: Dorian, its notes\n11 | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | G7      # V7\u002Fii in Bb: the b13 is in the key\n13 | Cm7     # ii of the ii–V to Bb\n14 | F7      # V7 of Bb: natural tensions\n15 | Bb6     # tonic: the 4th is in the key\n16 | Cm7     # ii of the ii–V to Bb\n16 | F7      # V7 of Bb: natural tensions\n",1793575904244]