[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:too-young-to-go-steady":3},"title: Too Young To Go Steady\ncomposer: Jimmy McHugh\nstyle: Ballad\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1  | FMaj7  # tonic: the 4th is in the key\n1  | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7    # ii of the ii–V to F\n2  | C7     # V7 of F: natural tensions\n3  | FMaj7  # tonic: the 4th is in the key\n3  | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Gm7    # ii of C7: Dorian\n4  | C7     # V7\u002FI in F: natural tensions\n5  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | D7     # V7\u002Fii in F: the b13 is in the key\n6  | Gm7    # ii: Dorian, the key’s own notes\n6  | Em7b5  # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | A7     # V7\u002Fvi in F: b9 and b13 are in the key\n7  | Dm7    # ii of G7: Dorian\n7  | G7     # V7\u002FV in F: natural tensions\n8  | Gm7    # ii of C7: Dorian\n8  | C7     # V7\u002FI in F: natural tensions\n9  | Gm7    # ii of the ii–V to F\n9  | C7     # V7 of F: natural tensions\n10 | F6     # tonic: the 4th is in the key\n11 | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n11 | E7b9   # V7\u002Fiii in F: b9 and b13 are in the key\n@ending 1 6 8\n@ending 2 9 11\n\nsection: B\n1  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2  | E7b9   # V7\u002Fiii in F: b9 and b13 are in the key\n3  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | E7b9   # V7\u002Fiii in F: b9 and b13 are in the key\n5  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Bm7b5  # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | E7b9   # V7\u002Fiii in F: b9 and b13 are in the key\n7  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | D7     # V7\u002Fii in F: the b13 is in the key\n8  | Gm7    # ii of the ii–V to F\n8  | C7     # V7 of F: natural tensions\n\nsection: A2\n1  | FMaj7  # tonic: the 4th is in the key\n1  | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Gm7    # ii of the ii–V to F\n2  | C7     # V7 of F: natural tensions\n3  | FMaj7  # tonic: the 4th is in the key\n3  | Dm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Gm7    # ii of C7: Dorian\n4  | C7     # V7\u002FI in F: natural tensions\n5  | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | D7     # V7\u002Fii in F: the b13 is in the key\n6  | Gm7    # ii of the ii–V to F\n6  | C7     # V7 of F: natural tensions\n7  | F6     # tonic: the 4th is in the key\n7  | D7     # V7\u002Fii in F: the b13 is in the key\n8  | Gm7    # ii of the ii–V to F\n8  | C7     # V7 of F: natural tensions\n",1793575904253]