[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:too-marvelous-for-words":3},"title: Too Marvelous For Words\ncomposer: Richard Whiting\nstyle: Medium Swing\nkey: G\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A1\n# area: G major (A1 1–9)\n1  | Am7    # ii of D7: Dorian\n2  | D7     # V7\u002FI in G: natural tensions\n3  | Am7    # ii of the ii–V to G\n4  | D7     # V7 of G: natural tensions\n5  | GMaj7  # tonic: the 4th is in the key\n6  | C7#11  # tritone substitute: resolves down a half step to Bm7\n7  | Bm7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Em7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n9  | BMaj7  # a non-tonic major chord: Lydian\n# area: B major (A1 9–10)\n9  | F#7    # V7 of B: natural tensions\n10 | B6     # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n# area: G major (B 1 – A2 8)\n1  | Dm7    # ii of G7: Dorian\n2  | G7     # V7\u002FIV in G: natural tensions\n3  | Dm7    # ii of the ii–V to C\n4  | G7     # V7\u002FIV in G: natural tensions\n5  | CMaj7  # the G7 before it makes C the key of the moment: the 4th is in the key\n6  | F7     # tritone substitute: resolves down a half step to Em7\n7  | Em7    # ii of A7: Dorian\n7  | A7     # V7\u002FV in G: natural tensions\n8  | Am7    # ii of D7: Dorian\n8  | D7     # V7\u002FI in G: natural tensions\n\nsection: A2\n1  | Am7    # ii of the ii–V to G\n2  | D7     # V7 of G: natural tensions\n3  | GMaj7  # tonic: the 4th is in the key\n3  | F7     # tritone substitute: resolves down a half step to E7b9\n4  | E7b9   # V7\u002Fii in G: the b13 is in the key, the b9 from the symbol\n5  | Am7    # ii: Dorian, the key’s own notes\n6  | F7     # ♭VII7 from the parallel minor: Lydian Dominant\n7  | Am7    # ii of the ii–V to G\n7  | D7     # V7 of G: natural tensions\n8  | G6     # tonic: the 4th is in the key\n",1793575904234]