[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:too-close-for-comfort":3},"title: Too Close For Comfort\ncomposer: Bock, Weiss, Holofcener\nstyle: Medium Swing\nkey: C\nform: AABAD, 40 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1  | CMaj7   # tonic: the 4th is in the key\n2  | B7#5    # V7\u002Fiii in C: b9 and b13 are in the key, the #11 from the symbol\n3  | Em7b5   # iiø7 of A7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | A7      # V7\u002Fii in C: the b13 is in the key\n5  | Dm7b5   # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7      # V7 of C: natural tensions\n7  | CMaj7   # tonic: the 4th is in the key\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n9  | CMaj7   # tonic: the 4th is in the key\n10 | Gm7     # ii of C7: Dorian\n10 | C7      # extended dominant: V7 of F7\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | F7      # IV7 in C, not resolving: the #11 is in the key\n2  | F#dim7  # ♯IV°7 to I over its 5th: B7♭9 without its root, the ♯II°7's notes\n3  | C6\u002FG    # tonic: the 4th is in the key\n4  | Gm7     # ii of C7: Dorian\n4  | C7      # extended dominant: V7 of F7\n5  | F7      # IV7 in C, not resolving: the #11 is in the key\n6  | F#dim7  # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n7  | Ab7     # ♭VI7 from the parallel minor: Lydian Dominant\n8  | Dm7     # ii of the ii–V to C\n8  | G7      # V7 of C: natural tensions\n\nsection: A2\n1  | CMaj7   # tonic: the 4th is in the key\n2  | B7#5    # V7\u002Fiii in C: b9 and b13 are in the key, the #11 from the symbol\n3  | Em7b5   # iiø7 of A7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | A7b13   # V7\u002Fii in C: the b13 is in the key\n5  | Dm7b5   # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n6  | G7      # V7 of C: natural tensions\n7  | CMaj7   # tonic: the 4th is in the key\n8  | Gm7     # ii of C7: Dorian\n8  | C7      # extended dominant: V7 of F7\n\nsection: D\n1  | F7      # IV7 in C, not resolving: the #11 is in the key\n2  | F#dim7  # passing diminished: a rootless dominant ♭9; not functioning diatonically: the symmetric scale\n3  | Am7b5   # iiø7 of D7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7b9    # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n5  | Ab7     # tritone substitute: resolves down a half step to G7\n6  | G7      # V7 of C: natural tensions\n7  | C6      # tonic: the 4th is in the key\n8  | C6\n",1793575904213]