[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:tones-for-joans-bones":3},"title: Tones For Joan's Bones\ncomposer: Chick Corea\nstyle: Medium Swing\nkey: D\nform: ABA, 44 bars\n# analysis: 2026-10-31, rules v2; D\n\nsection: Intro\n# area: D major (Intro 1 – A1 5)\n1  | Em7        # ii: Dorian, the key’s own notes\n2  | Em7\n3  | Em7\n4  | Em7\n5  | Em7b5      # iiø7, borrowed from D minor: Locrian\n6  | Em7b5\n7  | Em7b5\n8  | Em7b5\n8  | Eb7        # tritone substitute: resolves down a half step to DMaj7\n\nsection: A1\n1  | DMaj7      # tonic: the 4th is in the key\n2  | DMaj7\n3  | Gm7\u002FD      # iv7 from the parallel minor: Dorian, its notes\n4  | Gm7\u002FD\n5  | D7#9       # V7 of the Gm7\u002FD before it: b9, #9 and #11 from the symbol\n# area: Bb major (A1 6–8)\n6  | F7b9       # V7 of Bb: the b9 from the symbol\n7  | BbMaj7     # tonic: the 4th is in the key\n7  | Abm7       # a borrowed minor chord: Dorian, its own key\n8  | GbMaj7     # ♭VImaj7, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n8  | F7         # V7 of Bb: natural tensions\n# area: Ab minor (A1 9 – B 7)\n9  | Bbm7b5     # iiø7 of Ab minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | Bbm7b5\n11 | Eb7#9      # V7 of Ab minor: the b13 is in the key, b9, #9 and #11 from the symbol\n12 | Eb7#9\n13 | Abm7       # tonic minor: Dorian by convention\n14 | Abm7\u002FGb    # tonic minor: Dorian by convention\n15 | Fm7b5      # viø7 in Ab minor: Locrian, its own mode (the chord is outside the key)\n16 | EMaj7#11   # from the symbol: #11\n\nsection: B\n1  | EbMaj7     # a non-tonic major chord: Lydian\n2  | GbMaj7     # ♭VII of A♭ minor: G♭ major, the notes of A♭ Dorian\n3  | FMaj7      # a non-tonic major chord: Lydian\n4  | AbMaj7     # a non-tonic major chord: Lydian\n5  | CMaj7      # a non-tonic major chord: Lydian\n6  | EbMaj7     # a non-tonic major chord: Lydian\n7  | DbmMaj7    # from the symbol: minor-major 7th\n# area: D major (B 8 – A2 5)\n8  | A7b9       # V7 of D: the b9 from the symbol\n\nsection: A2\n1  | DMaj7      # tonic: the 4th is in the key\n2  | DMaj7\n3  | Gm7\u002FD      # iv7 from the parallel minor: Dorian, its notes\n4  | Gm7\u002FD\n5  | D7#9       # V7 of the Gm7\u002FD before it: b9, #9 and #11 from the symbol\n# area: Bb major (A2 6–8)\n6  | F7b9       # V7 of Bb: the b9 from the symbol\n7  | BbMaj7     # tonic: the 4th is in the key\n8  | BbMaj7\n# area: D major (A2 9–13)\n9  | Em7        # ii of A7: Dorian\n10 | A7         # V7\u002FI in D: natural tensions\n10 | Bbdim7     # vii°7 of Bm7: F#7♭9 without its root\n11 | Bm7        # ii of E7: Dorian\n12 | E7         # V7\u002FV in D: natural tensions\n13 | Em7        # ii: Dorian, the key’s own notes\n13 | F#m7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n# area: Eb major (A2 14–15)\n14 | Fm7        # ii of the ii–V to Eb\n14 | Bb7        # V7 of Eb: natural tensions\n15 | EbMaj7     # tonic: the 4th is in the key\n15 | Dm7        # a borrowed minor chord: Dorian, its own key\n# area: D major (A2 16–20)\n16 | Cm7        # ii of F7: Dorian\n16 | F7         # tritone substitute: resolves down a half step to Em7\n17 | Em7        # ii: Dorian, the key’s own notes\n17 | F#m7       # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n18 | GMaj7      # IV: the #4 is the key’s 7th\n18 | A7b9       # V7 in D, not resolving: the b9 from the symbol\n19 | EbMaj7#11  # from the symbol: #11\n20 | EbMaj7#11\n",1793575904179]