[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:toda-menina-baiana":3},"title: Toda Menina Baiana\ncomposer: Gilberto Gil\nstyle: Samba\nkey: D\nform: AABCCD, 67 bars\nrecording: Gilberto Gil; Realce; Elektra; 1979\nyoutube: f9S4B3O_TtY\n# analysis: 2026-10-28, rules v2; D\n# recording: WEA Discos BR 32.038 (Elektra label), Gil's own first recording; rule 1; sources: Discogs; video: Virgin Music Group \"Provided to YouTube\" upload, album Realce, released 1979-08-15, 3:47\n\nsection: A1\n1  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Em7    # ii: Dorian, the key’s own notes\n3  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4  | Em7    # ii: Dorian, the key’s own notes\n5  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Em7    # ii: Dorian, the key’s own notes\n7  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | Em7    # ii: Dorian, the key’s own notes\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | D6     # tonic: the 4th is in the key\n2  | D6\n3  | D6\n4  | D6\n5  | E\u002FD    # a non-tonic major chord: Lydian\n6  | E\u002FD\n7  | E\u002FD\n8  | E\u002FD\n9  | G\u002FD    # IV: the #4 is the key’s 7th\n10 | G\u002FD\n11 | G\u002FD\n12 | G\u002FD\n\nsection: C1\n1  | D7sus  # static sus: Mixolydian\n2  | D7sus\n3  | D6     # tonic: the 4th is in the key\n4  | D6\n5  | D7sus  # static sus: Mixolydian\n6  | D7sus\n7  | D6     # tonic: the 4th is in the key\n8  | D6\n9  | D7sus  # static sus: Mixolydian\n10 | D7sus\n11 | D6     # tonic: the 4th is in the key\n12 | D6\n13 | G\u002FD    # IV: the #4 is the key’s 7th\n14 | G\u002FD\n15 | G\u002FD\n16 | G\u002FD\n@coda 16\n\nsection: C2\ncopy: C1\n\nsection: D\n1  | Em7    # ii: Dorian, the key’s own notes\n2  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Em7    # ii: Dorian, the key’s own notes\n4  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Em7    # ii: Dorian, the key’s own notes\n6  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Em7    # ii: Dorian, the key’s own notes\n\nsection: Coda1\n1  | Em7    # ii: Dorian, the key’s own notes\n2  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Em7    # ii: Dorian, the key’s own notes\n4  | F#m7   # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n@coda 1\n\nsection: Coda2\ncopy: Coda1\n",1793484804148]