[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:tis-autumn":3},"title: Tis Autumn\ncomposer: Henry Nemo\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | Fm7      # ii of the ii–V to Eb\n2 | Bb7#5    # V7 of Eb: #11 and b13 from the symbol\n3 | EbMaj7   # tonic: the 4th is in the key\n3 | Fm7      # ii: Dorian, the key’s own notes\n4 | Gm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | C7b9     # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5 | Fm7      # ii: Dorian, the key’s own notes\n5 | Db7#11   # tritone substitute: resolves down a half step to Cm7\n6 | Cm7      # ii of F7: Dorian\n6 | F7       # V7\u002FV in Eb: natural tensions\n7 | Fm7      # ii of the ii–V to Eb\n7 | Bb7      # V7 of Eb: natural tensions\n8 | Eb6      # tonic: the 4th is in the key\n8 | C7#9     # VI7 in Eb, not resolving: the b13 is in the key, b9, #9 and #11 from the symbol\n9 | Eb6      # tonic: the 4th is in the key\n@ending 1 8\n@ending 2 9\n\nsection: B\n1 | Bbm7     # ii of Eb7: Dorian\n1 | Eb7      # V7\u002FIV in Eb: natural tensions\n2 | Bbm7     # ii of the ii–V to Ab\n2 | Eb7      # V7\u002FIV in Eb: natural tensions\n3 | Ab6      # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n3 | Eb7b9#5  # V7\u002FIV in Eb: b9, #11 and b13 from the symbol\n4 | Ab6      # the Eb7b9#5 before it makes Ab the key of the moment: the 4th is in the key\n5 | Cm7      # ii of F7: Dorian\n5 | F7       # V7\u002FV in Eb: natural tensions\n6 | Cm7      # ii of F7: Dorian\n6 | F7       # V7\u002FV in Eb: natural tensions\n7 | Fm7      # ii: Dorian, the key’s own notes\n7 | C7#9#5   # extended dominant: each one falls a fifth into the next: b9, #9, #11 and b13 from the symbol\n8 | F7       # V7 of V7: the dominant of the dominant: natural tensions\n8 | Bb7      # V7 in Eb, not resolving: natural tensions\n\nsection: A2\n1 | Fm7      # ii of the ii–V to Eb\n2 | Bb7#5    # V7 of Eb: #11 and b13 from the symbol\n3 | EbMaj7   # tonic: the 4th is in the key\n3 | Fm7      # ii: Dorian, the key’s own notes\n4 | Gm7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | C7b9     # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n5 | Fm7      # ii: Dorian, the key’s own notes\n5 | Db7#11   # tritone substitute: resolves down a half step to Cm7\n6 | Cm7      # ii of F7: Dorian\n6 | F7       # V7\u002FV in Eb: natural tensions\n7 | Fm7      # ii of the ii–V to Eb\n7 | Bb7      # V7 of Eb: natural tensions\n8 | Eb6      # tonic: the 4th is in the key\n8 | C7b9#5   # V7\u002Fii in Eb: the b13 is in the key, b9 and #11 from the symbol\n",1793575904113]