[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:tiro-ao-alvaro":3},"title: Tiro Ao Álvaro\ncomposer: Adoniran Barbosa\nstyle: Samba\nkey: F\nform: AAB, 48 bars\nrecording: Adoniran Barbosa; Adoniran Barbosa; EMI-Odeon; 1980\n# analysis: 2026-10-28, rules v2; F\n# recording: EMI-Odeon 31C 064 422868D, Adoniran's album of duets, with Elis Regina; written in 1960, its 1973 release was blocked by the censors, so this is the first recording (also issued as a promo single, EMI SDP-822); rule 1; sources: Discogs, Wikipedia (pt); video: none official (the Adoniran Barbosa channel's upload is a fan-run page)\n\nsection: A1\n1  | F6     # tonic: the 4th is in the key\n2  | D7     # V7\u002Fii in F: the b13 is in the key\n3  | Gm7    # ii of the ii–V to F\n4  | Gm7\n5  | C7     # V7 of F: natural tensions\n6  | C7\n7  | F6     # tonic: the 4th is in the key\n8  | F7     # V7\u002FIV in F: natural tensions\n9  | Bb6    # the F7 before it makes Bb the key of the moment: the 4th is in the key\n10 | Bbm6   # a minor sixth chord: Dorian\nalt 10 | Bdim7  # passing diminished: E7♭9 without its E, the Am7's dominant; not functioning diatonically: the symmetric scale\n11 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | D7     # V7\u002Fii in F: the b13 is in the key\n13 | Gm7    # ii of the ii–V to F\n14 | C7     # V7 of F: natural tensions\n15 | F6     # tonic: the 4th is in the key\n16 | F7     # I7 in F, not resolving: natural tensions\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | Gm7    # ii of the ii–V to F\n2  | C7     # V7 of F: natural tensions\n3  | F6     # tonic: the 4th is in the key\n4  | D7     # V7\u002Fii in F: the b13 is in the key\n5  | Gm7    # ii of the ii–V to F\n6  | C7     # V7 of F: natural tensions\n7  | F6     # tonic: the 4th is in the key\n8  | F7     # V7\u002FIV in F: natural tensions\n9  | Bb6    # the F7 before it makes Bb the key of the moment: the 4th is in the key\n10 | Bbm6   # a minor sixth chord: Dorian\nalt 10 | Bdim7  # passing diminished: E7♭9 without its E, the Am7's dominant; not functioning diatonically: the symmetric scale\n11 | Am7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | D7     # V7\u002Fii in F: the b13 is in the key\n13 | Gm7    # ii of the ii–V to F\n14 | C7     # V7 of F: natural tensions\n15 | F6     # tonic: the 4th is in the key\n16 | F6\n",1793484804142]