[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:tippin":3},"title: Tippin'\ncomposer: Horace Silver\nstyle: Medium Up Swing\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1  | Bb6     # tonic: the 4th is in the key\n1  | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n2  | Cm7     # ii: Dorian, the key’s own notes\n2  | C#dim7  # vii°7 to Bb\u002FD, up to its bass: A7♭9 without its root\n3  | Bb\u002FD    # tonic: the 4th is in the key\n3  | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n4  | Cm7     # ii of F7: Dorian\n4  | F7      # extended dominant: V7 of Bb7\n5  | Bb7     # V7\u002FIV in Bb: natural tensions\n6  | Eb6     # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6  | Edim7   # ♯IV°7 to I over its 5th: A7♭9 without its root, the ♯II°7's notes\n7  | Bb\u002FF    # tonic: the 4th is in the key\n7  | G7b9    # extended dominant: each one falls a fifth into the next: the b9 from the symbol\n8  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | F7      # V7 in Bb, not resolving: natural tensions\n9  | Eb6     # IV: the #4 is the key’s 7th\n9  | Edim7   # ♯IV°7 to I over its 5th: A7♭9 without its root, the ♯II°7's notes\n10 | Bb\u002FF    # tonic: the 4th is in the key\n10 | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n11 | Cm7     # ii of the ii–V to Bb\n11 | F7      # V7 of Bb: natural tensions\n11 | Bb      # tonic: the 4th is in the key\n@ending 1 6 8\n@ending 2 9 11\n\nsection: B\n1  | Am7     # ii of D7: Dorian\n2  | D7      # extended ii–V: a side-step, its own key\n3  | Abm7    # ii of Db7: Dorian\n4  | Db7     # extended ii–V: a side-step, its own key\n5  | Gm7     # ii of C7: Dorian\n6  | C7      # V7\u002FV in Bb: natural tensions\n7  | Cm7b5   # iiø7 of Bb: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | F7      # V7 of Bb: natural tensions\n\nsection: A2\n1  | Bb6     # tonic: the 4th is in the key\n1  | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n2  | Cm7     # ii: Dorian, the key’s own notes\n2  | C#dim7  # vii°7 to Bb\u002FD, up to its bass: A7♭9 without its root\n3  | Bb\u002FD    # tonic: the 4th is in the key\n3  | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n4  | Cm7     # ii of F7: Dorian\n4  | F7      # extended dominant: V7 of Bb7\n5  | Bb7     # V7\u002FIV in Bb: natural tensions\n6  | Eb6     # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n6  | Edim7   # ♯IV°7 to I over its 5th: A7♭9 without its root, the ♯II°7's notes\n7  | Bb\u002FF    # tonic: the 4th is in the key\n7  | Gm7     # ii of C7: Dorian\n8  | C7      # V7 of V7: the dominant of the dominant: natural tensions\n8  | F7      # V7 of Bb: natural tensions\n8  | Bb      # tonic: the 4th is in the key\n",1793575904097]