[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:tiny-capers":3},"title: Tiny Capers\ncomposer: Clifford Brown\nstyle: Medium Up Swing\nkey: Bb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1  | Bb6     # tonic: the 4th is in the key\n1  | D7      # V7\u002Fvi in Bb: b9 and b13 are in the key\n2  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Bb7     # V7\u002FIV in Bb: natural tensions\n3  | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n3  | G7      # V7\u002Fii in Bb: the b13 is in the key\n4  | Cm7     # ii: Dorian, the key’s own notes\n4  | C#dim7  # vii°7 of Dm7: A7♭9 without its root\n5  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Eb7     # tritone substitute: resolves down a half step to Dm7\n6  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | G7      # extended ii–V: a side-step, its own key\n7  | Gm7     # ii of C7: Dorian\n7  | C7      # V7\u002FV in Bb: natural tensions\n8  | Cm7     # ii of F7: Dorian\n8  | F7      # V7\u002FI in Bb: natural tensions\n9  | Cm7     # ii of F7: Dorian\n9  | F7      # extended dominant: V7 of Bb7\n10 | Bb7     # extended dominant: V7 of Eb7b9\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Eb7b9   # IV7 in Bb, not resolving: the #11 is in the key, the b9 from the symbol\n2  | Eb7b9\n3  | Bb7#11  # extended dominant: V7 of Eb7b9; #11 from the symbol\n4  | Bb7#11\n5  | Eb7b9   # IV7 in Bb, not resolving: the #11 is in the key, the b9 from the symbol\n6  | Ebm7    # ii of Ab7: Dorian\n6  | Ab7     # extended ii–V: a side-step, its own key\n7  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | G7      # V7\u002Fii in Bb: the b13 is in the key\n8  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7 of Bb: natural tensions\n\nsection: A2\n1  | Bb6     # tonic: the 4th is in the key\n1  | D7      # V7\u002Fvi in Bb: b9 and b13 are in the key\n2  | Gm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Bb7     # V7\u002FIV in Bb: natural tensions\n3  | EbMaj7  # the Bb7 before it makes Eb the key of the moment: the 4th is in the key\n3  | G7      # V7\u002Fii in Bb: the b13 is in the key\n4  | Cm7     # ii: Dorian, the key’s own notes\n4  | C#dim7  # vii°7 of Dm7: A7♭9 without its root\n5  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Eb7     # tritone substitute: resolves down a half step to Dm7\n6  | Dm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | G7      # V7\u002Fii in Bb: the b13 is in the key\n7  | Cm7     # ii of the ii–V to Bb\n7  | F7      # V7 of Bb: natural tensions\n8  | Bb6     # tonic: the 4th is in the key\n8  | F7      # V7 of Bb: natural tensions\n",1793575904090]