[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:tin-tin-deo":3},"title: Tin Tin Deo\ncomposer: Dizzy Gillespie\nstyle: Latin\nkey: Fm\nform: ABABCB, 48 bars\n# analysis: 2026-10-31, rules v2; F minor\n\nsection: A1\n# area: F minor (A1 1 – B2 8)\n1 | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n1 | Ebm6    # a minor sixth chord: Dorian\n2 | DbMaj7  # a non-tonic major chord: Lydian\n2 | C7#5    # V7 of F minor: b9 and b13 are in the key, the #11 from the symbol\n3 | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n3 | D7#9    # V7\u002Fii in F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n4 | Gm7b5   # iiø7 in F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | Gb7     # tritone substitute: resolves down a half step to Fm6\n5 | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n5 | Ebm6    # a minor sixth chord: Dorian\n6 | DbMaj7  # a non-tonic major chord: Lydian\n6 | C7#5    # V7 of F minor: b9 and b13 are in the key, the #11 from the symbol\n7 | Fm7     # ii of Bb7: Dorian\n7 | Bb7     # extended dominant: V7 of Eb7\n8 | Eb7     # tritone substitute: resolves down a half step to D7#9b5\n8 | D7#9b5  # a chromatic dominant with nowhere to go: Lydian Dominant, its own key; b9 and #9 from the symbol\n\nsection: B1\n1 | C7#9    # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n2 | C7#9\n3 | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n4 | Fm6\n5 | C7#9    # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n6 | C7#9\n7 | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8 | Fm6\n\nsection: A2\ncopy: A1\n\nsection: B2\ncopy: B1\n\nsection: C\n# area: Ab major (C 1–8)\n1 | Bbm7    # ii of the ii–V to Ab\n2 | Bbm7\n2 | Eb7b9   # V7 of Ab: the b9 from the symbol\n3 | AbMaj7  # tonic: the 4th is in the key\n3 | Db7     # tritone substitute: resolves down a half step to Cm7\n4 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | F7b9    # V7\u002Fii in Ab: the b13 is in the key, the b9 from the symbol\n5 | Bbm7    # ii of the ii–V to Ab\n6 | Bbm7\n6 | Eb7b9   # V7 of Ab: the b9 from the symbol\n7 | AbMaj7  # tonic: the 4th is in the key\n7 | Dm7b5   # #ivø7 in Ab: Locrian, its own mode (the chord is outside the key)\n8 | Gb7b9   # ♭VII7 from the parallel minor: Lydian Dominant; b9 from the symbol\n8 | Dm7b5   # #ivø7 in Ab: Locrian, its own mode (the chord is outside the key)\n\nsection: B3\n# area: F minor (B3 1–8)\n1 | C7#9    # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n2 | C7#9\n3 | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n4 | Fm6\n5 | C7#9    # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n6 | C7#9\n7 | Fm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8 | Fm6\n",1793575904083]