[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:till-there-was-you":3},"title: Till There Was You\ncomposer: Meredith Wilson\nstyle: Ballad\nkey: Eb\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Edim7   # vii°7 of Fm7: C7♭9 without its root\n3  | Fm7     # ii: Dorian, the key’s own notes\n4  | Abm7    # ii of Db7: Dorian\n4  | Db7     # extended ii–V: a side-step, its own key\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n6  | Fm7     # ii of Bb7: Dorian\n6  | Bb7     # V7\u002FI in Eb: natural tensions\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | Gb7     # tritone substitute: resolves down a half step to Fm7\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n9  | Eb6     # tonic: the 4th is in the key\n9  | Abm6    # a minor sixth chord: Dorian\n10 | Bbm7    # ii of the ii–V to Ab\n10 | Eb7     # V7\u002FIV in Eb: natural tensions\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n2  | Adim7   # ♯IV°7 to I: D7♭9 without its root, the ♯II°7's notes\n3  | EbMaj7  # tonic: the 4th is in the key\n4  | C7      # V7\u002Fii in Eb: the b13 is in the key\n5  | Fm7     # ii: Dorian, the key’s own notes\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | Am7b5   # #ivø7 in Eb: Locrian, its own mode (the chord is outside the key)\n7  | Fm7\u002FBb  # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n8  | Bb7#5   # V7 of Eb: #11 and b13 from the symbol\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n2  | Edim7   # vii°7 of Fm7: C7♭9 without its root\n3  | Fm7     # ii: Dorian, the key’s own notes\n4  | Abm7    # ii of Db9: Dorian\n4  | Db9     # extended ii–V: a side-step, its own key\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7's dominant (Fm7 its ii)\n6  | Fm7     # ii of the ii–V to Eb\n6  | Bb7     # V7 of Eb: natural tensions\n7  | Eb6     # tonic: the 4th is in the key\n8  | Fm7     # ii of the ii–V to Eb\n8  | Bb7     # V7 of Eb: natural tensions\n",1793575904023]