[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:tickle-toe":3},"title: Tickle-Toe\ncomposer: Lester Young\nstyle: Up Tempo Swing\nkey: Db\nform: ABAB, 32 bars\n# analysis: 2026-10-31, rules v2; Db\n\nsection: A1\n1 | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | F7      # V7\u002Fvi in Db: b9 and b13 are in the key\n2 | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | F7      # V7\u002Fvi in Db: b9 and b13 are in the key\n3 | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Bb7     # V7\u002Fii in Db: the b13 is in the key\n5 | Ebm7    # ii: Dorian, the key’s own notes\n5 | Bb7     # V7\u002Fii in Db: the b13 is in the key\n6 | Ebm7    # ii: Dorian, the key’s own notes\n6 | Bb7     # V7\u002Fii in Db: the b13 is in the key\n7 | Ebm7    # ii: Dorian, the key’s own notes\n8 | Abm7    # ii of Db7: Dorian\n8 | Db7     # extended dominant: V7 of Gb7\n\nsection: B1\n1 | Gb7     # extended dominant: V7 of B7\n2 | B7      # back door bVII7 to DbMaj7: the #11 is in the key\n3 | DbMaj7  # tonic: the 4th is in the key\n4 | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Bb7     # extended dominant: V7 of Eb7\n5 | Eb7     # II7 in Db, not resolving: natural tensions\n6 | Bbm7    # ii of Eb7: Dorian\n6 | Eb7     # V7 of V7: the dominant of the dominant: natural tensions\n7 | Ab7     # V7 in Db, not resolving: natural tensions\n8 | F7      # V7\u002Fvi in Db: b9 and b13 are in the key\n\nsection: A2\n1 | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n1 | F7      # V7\u002Fvi in Db: b9 and b13 are in the key\n2 | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | F7      # V7\u002Fvi in Db: b9 and b13 are in the key\n3 | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Bb7     # V7\u002Fii in Db: the b13 is in the key\n5 | Ebm7    # ii: Dorian, the key’s own notes\n5 | Bb7     # V7\u002Fii in Db: the b13 is in the key\n6 | Ebm7    # ii: Dorian, the key’s own notes\n6 | Bb7     # V7\u002Fii in Db: the b13 is in the key\n7 | Ebm7    # ii: Dorian, the key’s own notes\n8 | Abm7    # ii of Db7: Dorian\n8 | Db7     # extended dominant: V7 of Gb7\n\nsection: B2\n1 | Gb7     # extended dominant: V7 of B7\n2 | B7      # back door bVII7 to DbMaj7: the #11 is in the key\n3 | DbMaj7  # tonic: the 4th is in the key\n4 | Bb7     # extended dominant: each one falls a fifth into the next: natural tensions\n5 | Eb7     # V7 of V7: the dominant of the dominant: natural tensions\n6 | Ab7     # V7 of Db: natural tensions\n7 | DbMaj7  # tonic: the 4th is in the key\n8 | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | F7b9    # V7\u002Fvi in Db: b9 and b13 are in the key\n",1793575904008]