[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:three-base-hit":3},"title: Three Base Hit\ncomposer: Pat Martino\nstyle: Up Swing\nkey: Am\nform: A, 54 bars\n# analysis: 2026-10-31, rules v2; A minor\n\nsection: A\n# area: A minor (A 1–10)\n1  | Am7       # tonic minor: Dorian by convention\n2  | Am7\n3  | Bm7b5     # iiø7 of E7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | E7#9      # V7\u002Fi in A minor: the b13 is in the key, b9, #9 and #11 from the symbol\n4  | Bb7#11    # tritone substitute: resolves down a half step to Am7\n4  | Am7       # tonic minor: Dorian by convention\n5  | Am7\n6  | Am7\n7  | Abm7      # ii of the ii–V to F# minor\n8  | Db7b9     # V7\u002Fvi in A minor: b9, #11 and b13 are in the key\n9  | F#m7      # ii of the ii–V to E minor\n10 | B7        # V7\u002Fv in A minor: b9 and b13 are in the key\n# area: D major (A 11–28)\n11 | Em7       # ii of the ii–V to D\n12 | A7        # V7 of D: natural tensions\n13 | DMaj7     # tonic: the 4th is in the key\n14 | GMaj7     # IV: the #4 is the key’s 7th\n14 | G7b9      # extended dominant: V7 of C7#11; b9 from the symbol\n15 | C7#11     # ♭VII7 from the parallel minor: Lydian Dominant\n16 | DbMaj7    # a non-tonic major chord: Lydian\n17 | N.C.\n18 | N.C.\n19 | N.C.\n20 | N.C.\n21 | N.C.\n22 | N.C.\n23 | Db7alt    # from the symbol: altered\n24 | F#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n25 | GMaj7#11  # from the symbol: #11\n26 | GMaj7#11\n27 | GMaj7#11\n28 | Am7       # a borrowed minor chord: Dorian, its own key\n# area: A minor (A 30–37)\n30 | Bm7b5     # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n31 | E7b9      # V7 of A minor: b9 and b13 are in the key\n32 | Am7       # tonic minor: Dorian by convention\n34 | Abm7      # ii of the ii–V to F# minor\n35 | Db7b9     # V7\u002Fvi in A minor: b9, #11 and b13 are in the key\n36 | F#m7      # ii of the ii–V to E minor\n37 | B7        # V7\u002Fv in A minor: b9 and b13 are in the key\n# area: D major (A 38–54)\n38 | Em7       # ii of the ii–V to D\n39 | A7        # V7 of D: natural tensions\n40 | DMaj7     # tonic: the 4th is in the key\n41 | G7b9      # extended dominant: V7 of C7; b9 from the symbol\n42 | C7        # ♭VII7 from the parallel minor: Lydian Dominant\n43 | DbMaj7    # a non-tonic major chord: Lydian\n44 | DbMaj7\n45 | DbMaj7\n46 | DbMaj7\n47 | DbMaj7\n48 | DbMaj7\n49 | DbMaj7\n50 | Db7alt    # from the symbol: altered\n51 | F#m7      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n52 | GMaj7     # IV: the #4 is the key’s 7th\n53 | GMaj7\n54 | GMaj7\n",1793575903931]