[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:thou-swell":3},"title: Thou Swell\ncomposer: Richard Rodgers\nstyle: Medium Up Swing\nkey: Eb\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1 | Fm7     # ii of Bb7: Dorian\n2 | Bb7     # V7\u002FI in Eb: natural tensions\n3 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\n5 | EbMaj7  # tonic: the 4th is in the key\n6 | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n\nsection: B\n1 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1 | C7      # V7\u002Fii in Eb: the b13 is in the key\n2 | Fm7     # ii of the ii–V to Eb\n2 | Bb7     # V7 of Eb: natural tensions\n3 | EbMaj7  # tonic: the 4th is in the key\n4 | Bbm7    # ii of the ii–V to Ab\n4 | Eb7     # V7\u002FIV in Eb: natural tensions\n5 | Ab6     # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n5 | G7      # V7\u002Fvi in Eb: b9 and b13 are in the key\n6 | Cm7     # ii of F7: Dorian\n6 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n7 | Bb7     # V7 in Eb, not resolving: natural tensions\n8 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | C7      # V7\u002Fii in Eb: the b13 is in the key\n\nsection: A2\n1 | Fm7     # ii of Bb7: Dorian\n2 | Bb7     # V7\u002FI in Eb: natural tensions\n3 | Fm7     # ii of the ii–V to Eb\n4 | Bb7     # V7 of Eb: natural tensions\n5 | EbMaj7  # tonic: the 4th is in the key\n6 | Ab7     # IV7 in Eb, not resolving: the #11 is in the key\n7 | EbMaj7  # tonic: the 4th is in the key\n8 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n\nsection: C\n1 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1 | C7      # V7\u002Fii in Eb: the b13 is in the key\n2 | Fm7     # ii of Bb7: Dorian\n2 | Bb7     # V7\u002FI in Eb: natural tensions\n3 | Db7#11  # tritone substitute: resolves down a half step to C7\n4 | C7      # V7\u002Fii in Eb: the b13 is in the key\n5 | Fm7     # ii of the ii–V to Eb\n6 | Bb7     # V7 of Eb: natural tensions\n7 | Eb6     # tonic: the 4th is in the key\n8 | Eb6\n",1793575903922]