[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:this-masquerade":3},"title: This Masquerade\ncomposer: Leon Russell\nstyle: Rock Pop\nkey: Fm\nform: AB, 32 bars\n# analysis: 2026-10-31, rules v2; F minor\n\nsection: Intro1\n# area: F minor (Intro1 1 – A 16)\n1  | Fm7     # ii of Bb7: Dorian\n2  | Bb7     # V7\u002FbVII in F minor: natural tensions\n3  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # V7\u002FbVII in F minor: natural tensions\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | Fm      # tonic minor: Dorian by convention\n2  | FmMaj7  # from the symbol: minor-major 7th\n3  | Fm7     # ii of Bb7: Dorian\n4  | Bb7     # V7\u002FbVII in F minor: natural tensions\n5  | Fm7     # tonic minor: Dorian by convention\n6  | Db7     # bVI7 in F minor, not resolving: the #11 is in the key\n7  | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | C7#9    # V7 of F minor: the b13 is in the key, b9, #9 and #11 from the symbol\n9  | Fm      # tonic minor: Dorian by convention\n10 | FmMaj7  # from the symbol: minor-major 7th\n11 | Fm7     # ii of Bb7: Dorian\n12 | Bb7     # V7\u002FbVII in F minor: natural tensions\n13 | Db7     # bVI7 in F minor, not resolving: the #11 is in the key\n14 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n14 | C7b9    # V7 of F minor: b9 and b13 are in the key\n15 | Fm      # tonic minor: Dorian by convention\n16 | Fm\n16 | Em7     # ii of A7: Dorian\n16 | A7      # extended ii–V: a side-step, its own key\n@segno 1\n@coda 14\n\nsection: B\n# area: Db major (B 1–10)\n1  | Ebm7    # ii of the ii–V to Db\n2  | Ab7     # V7 of Db: natural tensions\n3  | DbMaj7  # tonic: the 4th is in the key\n4  | Bb7b13  # V7\u002Fii in Db: the b13 is in the key\n5  | Ebm7    # ii of the ii–V to Db\n6  | Ab7     # V7 of Db: natural tensions\n7  | DbMaj7  # tonic: the 4th is in the key\n8  | DbMaj7\n9  | Dm7     # ii of G13: Dorian\n10 | G13     # extended ii–V: a side-step, its own key\n# area: C major (B 10–15)\n10 | G7b13   # V7 of C: the b13 from the symbol\n11 | CMaj7   # tonic: the 4th is in the key\n12 | CMaj7\n13 | Gm7     # a borrowed minor chord: Dorian, its own key\n14 | G13     # V7 in C, not resolving: natural tensions\n14 | G7b13   # extended dominant: V7 of C9sus; b13 from the symbol\n15 | C9sus   # static sus: Mixolydian\n# area: F minor (B 16 – Coda2 4)\n16 | Gb7#11  # tritone substitute: resolves down a half step to Fm\n@nav 16 D.S. al Coda\n\nsection: Coda1\n1  | Fm7     # ii of Bb7: Dorian\n2  | Bb7     # V7\u002FbVII in F minor: natural tensions\n3  | Fm7     # tonic minor: Dorian by convention\n4  | B7      # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n@coda 1\n@nav 4 D.C. on Cue\n\nsection: Coda2\ncopy: Coda1\n",1793575903895]