[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:thinking-out-loud":3},"title: Thinking Out Loud\ncomposer: Steve Swallow\nstyle: Latin\nkey: Db\nform: ABCD, 32 bars\nrecording: Steve Swallow; Real Book; XtraWATT; 1994\nyoutube: Zr9HssxZqM8\n# analysis: 2026-10-19, rules v2; Db\n# recording: recorded December 1993, Grog Kill Studio, Willow, NY; XtraWATT\u002F7 (ECM 521 637-2), with Tom Harrell, Joe Lovano, Mulgrew Miller, Jack DeJohnette (jazzdisco.org, MusicBrainz release group, Wikipedia)\n\n# bar | chord | scale\n\nsection: Coda\nbars: 4\n# area: Db major (Coda 1 – A 4)\n1 | Ebm7    # ii of the ii–V to Db\n2 | Ab7alt  # from the symbol: altered\n3 | DbMaj7  # tonic: the 4th is in the key\n\nsection: A\n# the coda is three held chords, Ebm7 Ab7alt DbMaj7\n1 | Ebm7    # ii: Dorian, the key’s own notes\n2 | Abm7    # a borrowed minor chord: Dorian, its own key\n2 | F7alt   # from the symbol: altered\n3 | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | GbMaj7  # IV: the #4 is the key’s 7th\n# area: Ab minor (A 4–5)\n4 | Eb7alt  # from the symbol: altered\n5 | Abm7    # tonic minor: Dorian by convention\n# area: Bb major (A 6 – B 2)\n6 | F7alt   # from the symbol: altered\n7 | BbMaj7  # tonic: the 4th is in the key\n8 | G7b9    # V7\u002Fii in Bb: the b13 is in the key, the b9 from the symbol\n\nsection: B\n1 | Cm7     # ii: Dorian, the key’s own notes\n2 | AbMaj7  # ♭VIImaj7, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n# area: Db major (B 2–3)\n2 | G7alt   # from the symbol: altered\n3 | GbMaj7  # the G7alt before it makes Gb the key of the moment: the 4th is in the key\n# area: Ab minor (B 4–5)\n4 | Bbm7    # ii of the ii–V to Ab minor\n4 | Eb7alt  # from the symbol: altered\n5 | Abm7    # tonic minor: Dorian by convention\n# area: Bb major (B 6 – C 6)\n6 | F7alt   # from the symbol: altered\n7 | BbMaj7  # tonic: the 4th is in the key\n8 | E7alt   # from the symbol: altered\n\nsection: C\n1 | EbMaj7  # the E7alt before it makes Eb the key of the moment: the 4th is in the key\n2 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | D7alt   # from the symbol: altered\n3 | Gm11    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Cm7     # ii: Dorian, the key’s own notes\n4 | A7alt   # from the symbol: altered\n5 | Dm11    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | G7      # extended ii–V: a side-step, its own key\n# area: Db major (C 6–8)\n6 | G7alt   # from the symbol: altered\n7 | GbMaj7  # the G7alt before it makes Gb the key of the moment: the 4th is in the key\n7 | CbMaj7  # ♭VIImaj7, borrowed from Db minor: Lydian (its ♯11 is in the key)\n8 | Bbm7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n# area: C minor (C 8 – D 1)\n8 | G7alt   # from the symbol: altered\n\nsection: D\n1 | Cm7     # tonic minor: Dorian by convention\n# area: D minor (D 2–3)\n2 | A7alt   # from the symbol: altered\n3 | Dm7     # tonic minor: Dorian by convention\n# area: Db major (D 4–8)\n4 | Ab7     # V7 of Db: natural tensions\n5 | DbMaj7  # tonic: the 4th is in the key\n6 | C7alt   # from the symbol: altered\n7 | Fm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | Bb7alt  # from the symbol: altered\n",1793484804063]