[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:think-of-one":3},"title: Think Of One\ncomposer: Thelonious Monk\nstyle: Medium Swing\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A1\n1 | F        # tonic: the 4th is in the key\n1 | B9b5     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n2 | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Eb9      # extended dominant: V7 of Ab13\n3 | Ab13     # extended dominant: V7 of Db7\n3 | Db7      # extended dominant: V7 of Gb13\n4 | Gb13     # tritone substitute: resolves down a half step to F\n5 | F        # tonic: the 4th is in the key\n5 | B9b5     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n6 | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Eb9      # extended dominant: V7 of Ab7\n7 | Ab7      # extended dominant: V7 of Db7\n7 | Db7      # extended dominant: V7 of Gb7\n8 | Gb7      # tritone substitute: resolves down a half step to F\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Cm7\u002FF    # I7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n2 | F7b9     # V7\u002FIV in F: the b9 from the symbol\n3 | BbMaj7   # the F7b9 before it makes Bb the key of the moment: the 4th is in the key\n4 | G7b9     # II7 in F, not resolving: the b9 from the symbol\n5 | G7b9\n6 | G7b5     # II7 in F, not resolving: the #11 from the symbol\n7 | Gm7      # ii of the ii–V to F\n8 | C7b9#11  # V7 of F: b9 and #11 from the symbol\n\nsection: A3\n1 | F        # tonic: the 4th is in the key\n1 | B9b5     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n2 | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Eb9      # extended dominant: V7 of Ab13\n3 | Ab13     # extended dominant: V7 of Db7\n3 | Db7      # extended dominant: V7 of Gb13\n4 | Gb13     # tritone substitute: resolves down a half step to F\n5 | F        # tonic: the 4th is in the key\n5 | B9b5     # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n6 | Dm7      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Eb9      # extended dominant: V7 of Ab7\n7 | Ab7      # extended dominant: V7 of Db7\n7 | Db7      # extended dominant: V7 of Gb7\n8 | Gb7      # tritone substitute: resolves down a half step to F\n@nav 7 Fine\n",1793575903773]