[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:they-cant-take-that-away-from-me":3},"title: They Can't Take That Away From Me\ncomposer: George Gershwin\nstyle: Medium Swing\nkey: Eb\nform: AABA, 36 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A1\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Fm7     # ii: Dorian, the key’s own notes\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7sus's dominant (Fm7 its ii)\n3  | Fm7     # ii of Bb7sus: Dorian\n4  | Bb7sus  # static sus: Mixolydian\n5  | Bbm7    # ii of the ii–V to Ab\n6  | Eb7     # V7\u002FIV in Eb: natural tensions\n7  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n7  | C7      # V7\u002Fii in Eb: the b13 is in the key\n8  | Fm7     # ii of Bb7sus: Dorian\n8  | Bb7sus  # static sus: Mixolydian\n9  | AbMaj7  # IV: the #4 is the key’s 7th\n9  | Bb7     # V7 of Eb: natural tensions\n10 | Eb6     # tonic: the 4th is in the key\n10 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n@ending 1 7 8\n@ending 2 9 10\n\nsection: B\n1  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n3  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3  | Em7b5   # biiø7 in Eb: Locrian, its own mode (the chord is outside the key)\n4  | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n5  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5  | D7b9    # V7\u002Fiii in Eb: b9 and b13 are in the key\n6  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | C7      # extended dominant: V7 of F7\n7  | F7      # extended dominant: V7 of Bb7sus\n8  | Bb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: A2\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Fm7     # ii: Dorian, the key’s own notes\n2  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2  | Gbdim7  # passing diminished: F7♭9 without its F, the Bb7sus's dominant (Fm7 its ii)\n3  | Fm7     # ii of Bb7sus: Dorian\n4  | Bb7sus  # static sus: Mixolydian\n5  | Bbm7    # ii of the ii–V to Ab\n6  | Eb7     # V7\u002FIV in Eb: natural tensions\n7  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n7  | Bb7     # V7 of Eb: natural tensions\n8  | Eb6     # tonic: the 4th is in the key\n8  | Abm6    # a minor sixth chord: Dorian\n9  | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n9  | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n10 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n10 | Bb7     # V7 of Eb: natural tensions\n11 | Eb6     # tonic: the 4th is in the key\n12 | Bb7sus  # static sus: Mixolydian\n",1793575903705]