[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:they-all-laughed":3},"title: They All Laughed\ncomposer: George Gershwin\nstyle: Medium Swing\nkey: G\nform: ABCC, 32 bars\n# analysis: 2026-10-31, rules v2; G\n\nsection: A\n1 | GMaj7   # tonic: the 4th is in the key\n1 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Am7     # ii of D7: Dorian\n2 | D7      # V7\u002FI in G: natural tensions\n3 | Am7     # ii of the ii–V to G\n3 | D7      # V7 of G: natural tensions\n4 | GMaj7   # tonic: the 4th is in the key\n4 | D7sus   # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5 | GMaj7   # tonic: the 4th is in the key\n5 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Am7     # ii of the ii–V to G\n6 | D7      # V7 of G: natural tensions\n7 | G6      # tonic: the 4th is in the key\n8 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n\nsection: B\n1 | GMaj7   # tonic: the 4th is in the key\n1 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Am7     # ii of D7: Dorian\n2 | D7      # extended dominant: V7 of G7\n3 | G7      # tritone substitute: resolves down a half step to F#7b13\n3 | F#7b13  # V7\u002Fiii in G: b9 and b13 are in the key\n4 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | E7      # extended ii–V: a side-step, its own key\n5 | DMaj7   # a non-tonic major chord: Lydian\n5 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Em7     # ii of A7: Dorian\n6 | A7      # V7\u002FV in G: natural tensions\n7 | Am7     # ii of D7: Dorian\n8 | D7      # extended dominant: V7 of G7\n\nsection: C1\n1 | G7      # I7 in G, not resolving: natural tensions\n2 | Dm7     # ii of G7: Dorian\n2 | G7      # V7\u002FIV in G: natural tensions\n3 | Bm7b5   # iiø7 of E7b13: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | E7b13   # extended dominant: V7 of A7; b13 from the symbol\n5 | A7      # II7 in G, not resolving: natural tensions\n6 | Em7     # ii of A7: Dorian\n6 | A7      # V7\u002FV in G: natural tensions\n7 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n\nsection: C2\n1 | GMaj7   # tonic: the 4th is in the key\n1 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Am7     # ii of D7: Dorian\n2 | D7      # V7\u002FI in G: natural tensions\n3 | B7b9    # extended dominant: V7 of E7b13; b9 from the symbol\n3 | E7b13   # VI7 in G, not resolving: the b13 is in the key\n4 | C#m7b5  # #ivø7 in G: Locrian, its own mode (the chord is outside the key)\n4 | Cm6     # a minor sixth chord: Dorian\n5 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | E7      # V7\u002Fii in G: the b13 is in the key\n6 | Am7     # ii of the ii–V to G\n6 | D7      # V7 of G: natural tensions\n7 | G6      # tonic: the 4th is in the key\n7 | Em7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Am7     # ii of the ii–V to G\n8 | D7      # V7 of G: natural tensions\n",1793575903677]