[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:these-are-soulful-days":3},"title: These Are Soulful Days\ncomposer: Cal Massey\nstyle: Medium Swing\nkey: Bbm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; Bb minor\n\nsection: A1\n# area: Bb minor (A1 1)\n1 | Bbm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n# area: Db major (A1 2–6)\n2 | Ebm7    # ii of the ii–V to Db\n2 | Ab7     # V7 of Db: natural tensions\n3 | DbMaj7  # tonic: the 4th is in the key\n3 | GbMaj7  # IV: the #4 is the key’s 7th\n4 | Cm7b5   # iiø7 of F7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | F7#9    # V7\u002Fvi in Db: the b13 is in the key, b9, #9 and #11 from the symbol\n5 | Abm7    # ii of the ii–V to Gb\n5 | Db13    # V7\u002FIV in Db: natural tensions\n6 | GbMaj7  # the Db13 before it makes Gb the key of the moment: the 4th is in the key\n6 | B7#11   # ♭VII7 from the parallel minor: Lydian Dominant\n# area: Bb minor (A1 7 – A2 1)\n7 | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | F7#9    # V7 of Bb minor: the b13 is in the key, b9, #9 and #11 from the symbol\n8 | Bbm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8 | F7#9    # V7 of Bb minor: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: A2\ncopy: A1\n\nsection: B\n1 | Fm7     # ii of Bb7: Dorian\n1 | Bb7     # extended ii–V: a side-step, its own key\n2 | Bbm7    # ii of Eb7: Dorian\n2 | Eb7     # V7\u002FbVII in Bb minor: natural tensions\n3 | Ebm7    # ii of Ab7: Dorian\n3 | Ab7     # V7\u002FbIII in Bb minor: natural tensions\n4 | Abm7    # ii of Db7: Dorian\n4 | Db7     # V7\u002FbVI in Bb minor: natural tensions\n5 | C#m7    # ii of F#7: Dorian\n5 | F#7     # extended ii–V: a side-step, its own key\n6 | F#m7    # ii of B7: Dorian\n6 | B7      # extended ii–V: a side-step, its own key\n7 | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | F7#9    # V7 of Bb minor: the b13 is in the key, b9, #9 and #11 from the symbol\n\nsection: A3\n1 | Bbm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n# area: Db major (A3 2–6)\n2 | Ebm7    # ii of the ii–V to Db\n2 | Ab7     # V7 of Db: natural tensions\n3 | DbMaj7  # tonic: the 4th is in the key\n3 | GbMaj7  # IV: the #4 is the key’s 7th\n4 | Cm7b5   # iiø7 of F7#9: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | F7#9    # V7\u002Fvi in Db: the b13 is in the key, b9, #9 and #11 from the symbol\n5 | Abm7    # ii of the ii–V to Gb\n5 | Db13    # V7\u002FIV in Db: natural tensions\n6 | GbMaj7  # the Db13 before it makes Gb the key of the moment: the 4th is in the key\n6 | B7#11   # ♭VII7 from the parallel minor: Lydian Dominant\n# area: Bb minor (A3 7–8)\n7 | Cm7b5   # iiø7 of Bb minor: Locrian, the key's own notes (its ♭2 is a passing note)\n7 | F7#9    # V7 of Bb minor: the b13 is in the key, b9, #9 and #11 from the symbol\n8 | Bbm6    # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n8 | F7#9    # V7 of Bb minor: the b13 is in the key, b9, #9 and #11 from the symbol\n",1793575903644]