[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:there-will-never-be-another-you":3},"title: There Will Never Be Another You\ncomposer: Harry Warren\nstyle: Medium up\nkey: Eb\nform: AB, 32 bars\nrecording: Chet Baker; Chet Baker Sings; Pacific Jazz; 1954\nyoutube: ytHMBYLwgVU\n# analysis: 2026-10-19, rules v2; Eb\n# recording: recorded 1954-02-15, Capitol Melrose Studios, Los Angeles (Russ Freeman, Carson Smith, Bob Neel), 10\" PJ LP-11, released 1954 (later PJ-1222); not the same-day overdubbed version with Bill Perkins and Jimmy Giuffre; songbook standard → the best-known jazz reading, over Sonny Rollins (Impulse!, 1965); sources: jazzdisco, Wikipedia; video: \"Provided to YouTube by Universal Music Group\", Chet Baker Sings, the same take\n\n# bar | chord | scale\n# the \"standard\" chords; the lead sheet offers Ebm7 Ab7 Dm7 G7 (bars 3–4), Db7#11 (14) and F#m7 B7 Fm7 Bb7 (15–16)\n\nsection: A\n1  | EbMaj7  # tonic: the 4th is in the key\n3  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n5  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7     # V7\u002FIV in Eb: natural tensions\n9  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n10 | Db7#11  # back door bVII7 to EbMaj7: the #11 is in the key\n11 | EbMaj7  # tonic: the 4th is in the key\n12 | Cm7     # ii of F7#11: Dorian\n13 | F7#11   # V7\u002FV in Eb: the #11 from the symbol\n15 | Fm7     # ii of the ii–V to Eb\n16 | Bb7b9   # V7 of Eb: the b9 from the symbol\n\nsection: B\n1  | EbMaj7  # tonic: the 4th is in the key\n3  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | G7b9    # V7\u002Fvi in Eb: b9 and b13 are in the key\n5  | Cm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n7  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7     # V7\u002FIV in Eb: natural tensions\n9  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n10 | Db7#11  # back door bVII7 to EbMaj7: the #11 is in the key\n11 | EbMaj7  # tonic: the 4th is in the key\n12 | Am7     # ii of the ii–V to G minor\n12 | D7      # V7\u002Fiii in Eb: b9 and b13 are in the key\n13 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | Ab7     # tritone substitute: resolves down a half step to Gm7\n14 | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n14 | C7b9    # V7\u002Fii in Eb: the b13 is in the key, the b9 from the symbol\n15 | Fm7     # ii of the ii–V to Eb\n15 | Bb7b9   # V7 of Eb: the b9 from the symbol\n16 | EbMaj7  # tonic: the 4th is in the key\n",1793484804004]