[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:there-is-no-greater-love":3},"title: There Is No Greater Love\ncomposer: Isham Jones\nstyle: Medium up\nkey: Bb\nform: AABA, 32 bars\nrecording: Miles Davis Quintet; Miles: The New Miles Davis Quintet; Prestige; 1956\nyoutube: 4ZBCxqtZP2o\n# analysis: 2026-10-19, rules v2; Bb\n# recording: recorded 1955-11-16, Van Gelder Studio, Hackensack, Miles Davis with John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones, Prestige PRLP 7014, the first quintet's first album; songbook standard (1936) → Miles's reading as the jazz reference, over Ahmad Jamal's; sources: jazzdisco; video: Miles Davis's official channel, \"Official Visualizer\", from Miles: The New Miles Davis Quintet, the same take\n\n# bar | chord | scale\n# the \"standard\" solo changes; the lead sheet offers Fm7 Bb7 | Em7 A7 | Ebm7 Ab7 | Dm7 G7 for bars 1–4\n\nsection: A1\nbars: 8\n1 | BbMaj7  # tonic: the 4th is in the key\n2 | Eb7     # extended dominant: V7 of Ab7\n3 | Ab7     # tritone substitute: resolves down a half step to G7\n4 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n5 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n7 | F7      # V7 of Bb: natural tensions\n\nsection: A2\nbars: 8\n1 | BbMaj7  # tonic: the 4th is in the key\n2 | Eb7     # extended dominant: V7 of Ab7\n3 | Ab7     # tritone substitute: resolves down a half step to G7\n4 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n5 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n6 | F7      # V7 of Bb: natural tensions\n7 | BbMaj7  # tonic: the 4th is in the key\n\nsection: B\n1 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n1 | D7      # V7\u002Fvi in Bb: b9 and b13 are in the key\n2 | Gm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n3 | D7      # V7\u002Fvi in Bb: b9 and b13 are in the key\n4 | Gm      # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n5 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | D7      # V7\u002Fvi in Bb: b9 and b13 are in the key\n6 | Gm7     # ii of C7: Dorian\n7 | C7      # V7 of V7: the dominant of the dominant: natural tensions\n8 | F7      # V7 of Bb: natural tensions\n\nsection: A3\ncopy: A2\n",1793484803997]