[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:thelonious":3},"title: Thelonious\ncomposer: Thelonious Monk\nstyle: Medium Swing\nkey: Bb\nform: AABA, 36 bars\n# analysis: 2026-10-31, rules v2; Bb\n\nsection: A1\n1  | Bb       # tonic: the 4th is in the key\n1  | Ab7      # ♭VII7 from the parallel minor: Lydian Dominant\n2  | Gb7      # tritone substitute: resolves down a half step to F7sus\n2  | F7sus    # static sus: Mixolydian\n3  | E7b5     # tritone substitute: resolves down a half step to Eb7\n3  | Eb7      # tritone substitute: resolves down a half step to D7#5\n4  | D7#5     # tritone substitute: resolves down a half step to Db7; b13 from the symbol\n4  | Db7      # tritone substitute: resolves down a half step to C7sus\n5  | C7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5  | F7sus    # static sus: Mixolydian\n6  | Gb       # ♭VI, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n6  | Cb7b9b5  # tritone substitute: resolves down a half step to Bb7; b9 from the symbol\n7  | Bb7      # extended dominant: V7 of Eb7\n7  | Eb7      # IV7 in Bb, not resolving: the #11 is in the key\n8  | Gb7      # tritone substitute: resolves down a half step to F7\n8  | F7       # extended dominant: V7 of Bb7\n9  | Bb7      # extended dominant: V7 of Eb7\n9  | Eb7      # IV7 in Bb, not resolving: the #11 is in the key\n10 | Gb7      # tritone substitute: resolves down a half step to F7\n10 | F7       # V7 in Bb, not resolving: natural tensions\n11 | Cm11     # ii of the ii–V to Bb\n11 | F7       # V7 of Bb: natural tensions\n12 | BbMaj7   # tonic: the 4th is in the key\n@ending 1 7 8\n@ending 2 9 12\n\nsection: B\n1  | D7       # III7 in Bb, not resolving: b9 and b13 are in the key\n2  | Ebm7     # ii of Ab7: Dorian\n2  | Ab7      # extended ii–V: a side-step, its own key\n3  | D7#5     # tritone substitute: resolves down a half step to Db7; b13 from the symbol\n4  | Db7      # ♭III7 from the parallel minor: Lydian Dominant\n5  | Db9      # ♭III7 from the parallel minor: Lydian Dominant\n6  | G7#5     # extended dominant: V7 of C7b5; #11 and b13 from the symbol\n7  | C7b5     # extended dominant: V7 of F7sus; #11 from the symbol\n8  | F7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n\nsection: A2\n1  | Bb       # tonic: the 4th is in the key\n1  | Ab7      # ♭VII7 from the parallel minor: Lydian Dominant\n2  | Gb7      # tritone substitute: resolves down a half step to F7sus\n2  | F7sus    # static sus: Mixolydian\n3  | E7b5     # tritone substitute: resolves down a half step to Eb7\n3  | Eb7      # tritone substitute: resolves down a half step to D7#5\n4  | D7#5     # tritone substitute: resolves down a half step to Db7; b13 from the symbol\n4  | Db7      # tritone substitute: resolves down a half step to C7sus\n5  | C7sus    # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5  | F7sus    # static sus: Mixolydian\n6  | Gb       # ♭VI, borrowed from Bb minor: Lydian (its ♯11 is in the key)\n6  | Cb7b9b5  # tritone substitute: resolves down a half step to Bb7; b9 from the symbol\n7  | Bb7      # extended dominant: V7 of Eb7\n7  | Eb7      # IV7 in Bb, not resolving: the #11 is in the key\n8  | Gb7      # tritone substitute: resolves down a half step to F7\n8  | F7       # V7 in Bb, not resolving: natural tensions\n9  | Cm11     # ii of the ii–V to Bb\n9  | F7       # V7 of Bb: natural tensions\n10 | BbMaj7   # tonic: the 4th is in the key\n",1793575903512]