[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-very-thought-of-you":3},"title: The Very Thought Of You\ncomposer: Ray Noble\nstyle: Ballad\nkey: Ab\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; Ab\n\nsection: A1\n1 | AbMaj7  # tonic: the 4th is in the key\n1 | DbMaj7  # IV: the #4 is the key’s 7th\n2 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Eb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3 | Ab6     # tonic: the 4th is in the key\n3 | DbMaj7  # IV: the #4 is the key’s 7th\n4 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Eb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5 | Ab6     # tonic: the 4th is in the key\n5 | Bbm7    # ii: Dorian, the key’s own notes\n6 | Bdim7   # vii°7 to Ab6\u002FC, up to its bass: G7♭9 without its root\n6 | Ab6\u002FC   # tonic: the 4th is in the key\n7 | Bb7     # II7 in Ab, not resolving: natural tensions\n8 | Bb7\n\nsection: B\n1 | Bbm7    # ii of Eb7: Dorian\n1 | Eb7     # V7\u002FI in Ab: natural tensions\n2 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | C7b9    # V7\u002Fvi in Ab: b9 and b13 are in the key\n3 | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Fm7\u002FEb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | G7b9    # V7\u002Fiii in Ab: b9 and b13 are in the key\n5 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Fm7b5   # iiø7 of Bb7sus: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | Bb7sus  # II7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n6 | Bb7     # II7 in Ab, not resolving: natural tensions\n7 | Bbm7    # ii of the ii–V to Ab\n8 | Eb7     # V7 of Ab: natural tensions\n\nsection: A2\n1 | AbMaj7  # tonic: the 4th is in the key\n1 | DbMaj7  # IV: the #4 is the key’s 7th\n2 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n2 | Eb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n3 | Ab6     # tonic: the 4th is in the key\n3 | DbMaj7  # IV: the #4 is the key’s 7th\n4 | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n4 | Eb7sus  # V7sus4 resolving down a fifth: Mixolydian, the 4th is a chord tone here\n5 | Ab6     # tonic: the 4th is in the key\n5 | Bbm7    # ii: Dorian, the key’s own notes\n6 | Bdim7   # vii°7 to Ab6\u002FC, up to its bass: G7♭9 without its root\n6 | Ab6\u002FC   # tonic: the 4th is in the key\n7 | Bb7     # II7 in Ab, not resolving: natural tensions\n8 | Bb7\n\nsection: C\n1 | Bbm7    # ii of Eb7: Dorian\n1 | Eb7     # V7\u002FI in Ab: natural tensions\n2 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | C7b9    # V7\u002Fvi in Ab: b9 and b13 are in the key\n3 | Fm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Fm7\u002FEb  # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Dm7b5   # #ivø7 in Ab: Locrian, its own mode (the chord is outside the key)\n4 | Adim7   # vii°7 of Bbm7: F7♭9 without its root\n5 | Bbm7    # ii: Dorian, the key’s own notes\n5 | Adim7   # vii°7 of Bbm7: F7♭9 without its root\n6 | Bbm7    # ii of the ii–V to Ab\n6 | Eb7     # V7 of Ab: natural tensions\n7 | Ab6     # tonic: the 4th is in the key\n8 | Bbm7    # ii of the ii–V to Ab\n8 | Eb7     # V7 of Ab: natural tensions\n",1793575903471]