[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-touch-of-your-lips":3},"title: The Touch Of Your Lips\ncomposer: Ray Noble\nstyle: Medium Swing\nkey: C\nform: ABAC, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n# area: C major (A1 1 – B 3)\n1 | CMaj7   # tonic: the 4th is in the key\n1 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Dm7     # ii of the ii–V to C\n2 | G7      # V7 of C: natural tensions\n3 | CMaj7   # tonic: the 4th is in the key\n3 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Dm7     # ii of the ii–V to C\n4 | G7      # V7 of C: natural tensions\n5 | CMaj7   # tonic: the 4th is in the key\n5 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Dm7     # ii of G7: Dorian\n6 | G7      # V7\u002FI in C: natural tensions\n7 | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n\nsection: B\n1 | Dm7b5   # iiø7 of C: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | G7      # V7 of C: natural tensions\n3 | CMaj7   # tonic: the 4th is in the key\n# area: E major (B 4–7)\n4 | F#m7b5  # iiø7 of E: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | B7b9    # V7 of E: the b9 from the symbol\n5 | EMaj7   # tonic: the 4th is in the key\n5 | C#m7    # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | F#m7    # ii of the ii–V to E\n6 | B7      # V7 of E: natural tensions\n7 | EMaj7   # tonic: the 4th is in the key\n# area: C major (B 8 – C 8)\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n\nsection: A2\n1 | CMaj7   # tonic: the 4th is in the key\n1 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2 | Dm7     # ii of the ii–V to C\n2 | G7      # V7 of C: natural tensions\n3 | CMaj7   # tonic: the 4th is in the key\n3 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | Dm7     # ii of the ii–V to C\n4 | G7      # V7 of C: natural tensions\n5 | CMaj7   # tonic: the 4th is in the key\n5 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n6 | Dm7     # ii of G7: Dorian\n6 | G7      # V7\u002FI in C: natural tensions\n7 | Em7b5   # iiø7 of A7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | A7b9    # V7\u002Fii in C: the b13 is in the key, the b9 from the symbol\n\nsection: C\n1 | Dm7b5   # iiø7 of G7: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | G7      # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n2 | E7b9#5  # V7\u002Fvi in C: b9 and b13 are in the key, the #11 from the symbol\n3 | Am7     # ii of D7: Dorian\n4 | D7      # V7\u002FV in C: natural tensions\n5 | Dm7     # ii of the ii–V to C\n6 | G7      # V7 of C: natural tensions\n7 | C6      # tonic: the 4th is in the key\n8 | Dm7     # ii of the ii–V to C\n8 | G7      # V7 of C: natural tensions\n",1793575903459]