[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-thrill-is-gone":3},"title: The Thrill Is Gone\ncomposer: Ray Henderson\nstyle: Ballad\nkey: Cm\nform: AAB, 36 bars\n# analysis: 2026-10-31, rules v2; C minor\n\nsection: A1\n1  | Cm7     # tonic minor: Dorian by convention\n2  | G7b13   # V7 of C minor: b9 and b13 are in the key\n3  | Cm7     # ii of F7: Dorian\n4  | F7      # V7\u002FbVII in C minor: natural tensions\n5  | Fm7     # ii of Bb7: Dorian\n5  | Bb7     # V7\u002FbIII in C minor: natural tensions\n6  | Ab7     # extended dominant: V7 of Db7\n6  | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n6  | EbMaj7  # bIII of C minor: the relative major itself\n7  | DbMaj7  # a non-tonic major chord: Lydian\n7  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7b9    # V7 of C minor: b9 and b13 are in the key\n8  | Cm7     # tonic minor: Dorian by convention\n9  | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n9  | G7b9    # V7 of C minor: b9 and b13 are in the key\n10 | Cm7     # tonic minor: Dorian by convention\n10 | Am7b5   # viø7 in C minor: Locrian, its own mode (the chord is outside the key)\n11 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | G7b9    # V7 of C minor: b9 and b13 are in the key\n\nsection: A2\ncopy: A1\n\nsection: B\n1  | Cm7\u002FBb  # tonic minor: Dorian by convention\n2  | Am7b5   # viø7 in C minor: Locrian, its own mode (the chord is outside the key)\n3  | Ab7#11  # bVI7 in C minor, not resolving: the #11 is in the key\n4  | Cm7\u002FG   # tonic minor: Dorian by convention\n5  | Fm7     # iv: Dorian, the key’s own notes\n6  | Db7#11  # a chromatic dominant with nowhere to go: Lydian Dominant, its own key\n7  | Dm7b5   # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | G7b9    # V7\u002Fi in C minor: b9 and b13 are in the key\n9  | AbMaj7  # a non-tonic major chord: Lydian\n10 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | G7b9    # V7 of C minor: b9 and b13 are in the key\n11 | Cm6     # tonic minor sixth chord: melodic minor, the raised 7th is a tension\n12 | Cm6\n",1793575903408]