[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-things-we-did-last-summer":3},"title: The Things We Did Last Summer\ncomposer: Jule Styne\nstyle: Ballad\nkey: F\nform: AABA, 32 bars\n# analysis: 2026-10-19, rules v2; F\n\n# bar | chord | scale\n\nsection: A1\n1 | FMaj7   # tonic: the 4th is in the key\n1 | D7      # V7\u002Fii in F: the b13 is in the key\n2 | Gm7     # ii of C7: Dorian\n2 | C7      # V7\u002FI in F: natural tensions\n3 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | BbMaj7  # IV: the #4 is the key’s 7th\n4 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm7     # ii: Dorian, the key’s own notes\n5 | Eb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n6 | Am      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Abm     # a borrowed minor chord: Dorian, its own key\n7 | Gm7     # ii of C7: Dorian\n7 | C7      # V7\u002FI in F: natural tensions\n8 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8 | D7      # V7\u002Fii in F: the b13 is in the key\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: A2\n1 | FMaj7   # tonic: the 4th is in the key\n1 | D7      # V7\u002Fii in F: the b13 is in the key\n2 | Gm7     # ii of C7: Dorian\n2 | C7      # V7\u002FI in F: natural tensions\n3 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | BbMaj7  # IV: the #4 is the key’s 7th\n4 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm7     # ii: Dorian, the key’s own notes\n5 | Eb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n6 | Am      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Abm     # a borrowed minor chord: Dorian, its own key\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | FMaj7   # tonic: the 4th is in the key\n8 | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8 | Dbm     # a borrowed minor chord: Dorian, its own key\n\nsection: B\n1 | Cm7     # ii of F7: Dorian\n1 | F7      # V7\u002FIV in F: natural tensions\n2 | Cm7     # ii of the ii–V to Bb\n2 | F7      # V7\u002FIV in F: natural tensions\n3 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n3 | Eb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n4 | BbMaj7  # IV: the #4 is the key’s 7th\n4 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | A7      # V7\u002Fvi in F: b9 and b13 are in the key\n5 | Dm7     # ii of G7: Dorian\n5 | G7      # V7\u002FV in F: natural tensions\n6 | Dm7     # ii of G7: Dorian\n6 | G7      # V7\u002FV in F: natural tensions\n7 | Gm\u002FC    # ii: Dorian, the key’s own notes\n7 | Abm\u002FDb  # a borrowed minor chord: Dorian, its own key\n8 | Gm7     # ii of the ii–V to F\n8 | C7      # V7 of F: natural tensions\n\nsection: A3\n1 | FMaj7   # tonic: the 4th is in the key\n1 | D7      # V7\u002Fii in F: the b13 is in the key\n2 | Gm7     # ii of C7: Dorian\n2 | C7      # V7\u002FI in F: natural tensions\n3 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | BbMaj7  # IV: the #4 is the key’s 7th\n4 | Am7b5   # iiø7 of G minor: Locrian, the key's own notes (its ♭2 is a passing note)\n4 | D7      # V7\u002Fii in F: the b13 is in the key\n5 | Gm7     # ii: Dorian, the key’s own notes\n5 | Eb7#11  # ♭VII7 from the parallel minor: Lydian Dominant\n6 | Am      # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6 | Abm     # a borrowed minor chord: Dorian, its own key\n7 | Gm7     # ii of the ii–V to F\n7 | C7      # V7 of F: natural tensions\n8 | FMaj7   # tonic: the 4th is in the key\n",1793484803921]