[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-sweetest-sounds":3},"title: The Sweetest Sounds\ncomposer: Richard Rodgers\nstyle: Medium Up Swing\nkey: F\nform: AB, 40 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n1  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Dm7\n3  | Gm7     # ii: Dorian, the key’s own notes\n4  | Gm7\n5  | Bb7#11  # tritone substitute: resolves down a half step to A7#11\n6  | A7#11   # V7\u002Fvi in F: 9, #11 and 13 from the symbol\n7  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n8  | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n8  | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n9  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n10 | Dm7\n11 | Gm7     # ii of the ii–V to F\n12 | Gm7\n13 | Gm7\n14 | C7      # V7 of F: natural tensions\n15 | FMaj7   # tonic: the 4th is in the key\n16 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n\nsection: B\n1  | Dm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Dm7\n3  | Gm7     # ii: Dorian, the key’s own notes\n4  | Gm7\n5  | Bb7#11  # tritone substitute: resolves down a half step to A7#11\n6  | A7#11   # III7 in F, not resolving: 9, #11 and 13 from the symbol\n7  | Cm7     # ii of the ii–V to Bb\n8  | F7      # V7\u002FIV in F: natural tensions\n9  | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n10 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n10 | E7b9    # V7\u002Fiii in F: b9 and b13 are in the key\n11 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n12 | D7      # V7\u002Fii in F: the b13 is in the key\n13 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | FMaj7   # tonic: the 4th is in the key\n16 | Cm7     # ii of the ii–V to Bb\n16 | F7      # V7\u002FIV in F: natural tensions\n17 | Bb6     # the F7 before it makes Bb the key of the moment: the 4th is in the key\n18 | Bb6\n19 | Gm7     # ii of C7sus: Dorian\n20 | C7sus   # V7sus4 before its dominant: Mixolydian, the 4th is a chord tone here\n20 | C7      # V7 of F: natural tensions\n21 | F6      # tonic: the 4th is in the key\n22 | F6\n23 | Em7b5   # iiø7 of D minor: Locrian, the key's own notes (its ♭2 is a passing note)\n24 | A7b9    # V7\u002Fvi in F: b9 and b13 are in the key\n",1793575903344]