[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-summer-wind":3},"title: The Summer Wind\ncomposer: Meyer, Johnny Mercer\nstyle: Medium Swing\nkey: F\nform: ABC, 48 bars\n# analysis: 2026-10-31, rules v2; F\n\nsection: A\n# area: F major (A 1–15)\n1  | FMaj7   # tonic: the 4th is in the key\n2  | F#dim7  # vii°7 of Gm7: D7♭9 without its root\n3  | Gm7     # ii of C7: Dorian\n4  | C7      # V7\u002FI in F: natural tensions\n5  | Gm7     # ii of the ii–V to F\n6  | C7      # V7 of F: natural tensions\n7  | FMaj7   # tonic: the 4th is in the key\n8  | FMaj7\n9  | F7      # V7\u002FIV in F: natural tensions\n10 | F7\n11 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n12 | Eb7     # ♭VII7 from the parallel minor: Lydian Dominant\n13 | Am7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | D7      # V7\u002Fii in F: the b13 is in the key\n14 | Gm7     # ii of the ii–V to F\n14 | C7      # V7 of F: natural tensions\n15 | FMaj7   # tonic: the 4th is in the key\n# area: G major (A 16 – B 15)\n16 | Am7     # ii of the ii–V to G\n16 | D7      # V7 of G: natural tensions\n\nsection: B\n1  | GMaj7   # tonic: the 4th is in the key\n2  | G#dim7  # vii°7 of Am7: E7♭9 without its root\n3  | Am7     # ii of D7: Dorian\n4  | D7      # V7\u002FI in G: natural tensions\n5  | Am7     # ii of the ii–V to G\n6  | D7      # V7 of G: natural tensions\n7  | GMaj7   # tonic: the 4th is in the key\n8  | GMaj7\n9  | G7      # V7\u002FIV in G: natural tensions\n10 | G7\n11 | CMaj7   # the G7 before it makes C the key of the moment: the 4th is in the key\n12 | F7      # ♭VII7 from the parallel minor: Lydian Dominant\n13 | Bm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | E7      # V7\u002Fii in G: the b13 is in the key\n14 | Am7     # ii of the ii–V to G\n14 | D7      # V7 of G: natural tensions\n15 | GMaj7   # tonic: the 4th is in the key\n# area: A major (B 16 – C 15)\n16 | Bm7     # ii of the ii–V to A\n16 | E7      # V7 of A: natural tensions\n\nsection: C\n1  | AMaj7   # tonic: the 4th is in the key\n2  | A#dim7  # vii°7 of Bm7: F#7♭9 without its root\n3  | Bm7     # ii of E7: Dorian\n4  | E7      # V7\u002FI in A: natural tensions\n5  | Bm7     # ii of the ii–V to A\n6  | E7      # V7 of A: natural tensions\n7  | AMaj7   # tonic: the 4th is in the key\n8  | AMaj7\n9  | A7      # V7\u002FIV in A: natural tensions\n10 | A7\n11 | DMaj7   # the A7 before it makes D the key of the moment: the 4th is in the key\n12 | G7      # ♭VII7 from the parallel minor: Lydian Dominant\n13 | C#m7    # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n13 | F#7     # V7\u002Fii in A: the b13 is in the key\n14 | Bm7     # ii of the ii–V to A\n14 | E7      # V7 of A: natural tensions\n15 | AMaj7   # tonic: the 4th is in the key\n# area: F major (C 16)\n16 | Gm7     # ii of the ii–V to F\n16 | C7      # V7 of F: natural tensions\n",1793575903330]