[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-st-vitus-dance":3},"title: The St. Vitus Dance\ncomposer: Horace Silver\nstyle: Medium Swing\nkey: Fm\nform: AABA, 32 bars\n# analysis: 2026-10-31, rules v2; F minor\n\nsection: A1\n# area: F minor (A1 1–2)\n1 | Gb7#11  # tritone substitute: resolves down a half step to Fm7\n2 | Fm7     # tonic minor: Dorian by convention\n# area: Db major (A1 3–4)\n3 | Ebm7    # ii of the ii–V to Db\n3 | Ab7     # V7 of Db: natural tensions\n4 | DbMaj7  # tonic: the 4th is in the key\n# area: F minor (A1 5 – A2 2)\n5 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | C7b9    # V7 of F minor: b9 and b13 are in the key\n6 | Fm7     # tonic minor: Dorian by convention\n6 | Dm7b5   # viø7 in F minor: Locrian, its own mode (the chord is outside the key)\n7 | Db7     # tritone substitute: resolves down a half step to C7b9\n7 | C7b9    # V7 of F minor: b9 and b13 are in the key\n8 | Fm7     # tonic minor: Dorian by convention\n\nsection: A2\ncopy: A1\n\nsection: B\n# area: Ab major (B 1–4)\n1 | Bbm7    # ii of the ii–V to Ab\n2 | Eb7b13  # V7 of Ab: the b13 from the symbol\n3 | AbMaj7  # tonic: the 4th is in the key\n4 | AbMaj7\n# area: Gb major (B 5–7)\n5 | Abm7    # ii of the ii–V to Gb\n6 | Db7     # V7 of Gb: natural tensions\n7 | GbMaj7  # tonic: the 4th is in the key\n# area: F minor (B 8 – A3 2)\n8 | Gm7b5   # iiø7 of C7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | C7b9    # V7\u002Fi in F minor: b9 and b13 are in the key\n\nsection: A3\n1 | Gb7#11  # tritone substitute: resolves down a half step to Fm7\n2 | Fm7     # tonic minor: Dorian by convention\n# area: Db major (A3 3–4)\n3 | Ebm7    # ii of the ii–V to Db\n3 | Ab7     # V7 of Db: natural tensions\n4 | DbMaj7  # tonic: the 4th is in the key\n# area: F minor (A3 5 – Coda 6)\n5 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | C7b9    # V7 of F minor: b9 and b13 are in the key\n6 | Fm7     # tonic minor: Dorian by convention\n6 | D7      # tritone substitute: resolves down a half step to Db7\n7 | Db7     # tritone substitute: resolves down a half step to C7b9\n7 | C7b9    # V7 of F minor: b9 and b13 are in the key\n8 | Fm7     # tonic minor: Dorian by convention\n@coda 8\n\nsection: Coda\n1 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | C7b9    # V7 of F minor: b9 and b13 are in the key\n3 | Fm7     # ii of Bb7#11: Dorian\n4 | Bb7#11  # V7\u002FbVII in F minor: the #11 from the symbol\n5 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n5 | C7b9    # V7 of F minor: b9 and b13 are in the key\n6 | FmMaj7  # from the symbol: minor-major 7th\n@coda 1\n@nav 6 Fine\n",1793575903306]