[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-scene-is-clean":3},"title: The Scene is Clean\ncomposer: Tadd Dameron\nstyle: Latin\nkey: C\nform: AA, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: Intro1\n# area: Ab major (Intro1 1 – A 7)\n1  | Db7     # tritone substitute: resolves down a half step to Cm7\n2  | Db7\n3  | Db7\n4  | Db7\n\nsection: Intro2\ncopy: Intro1\n\nsection: A\n1  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1  | F7b9    # V7\u002Fii in Ab: the b13 is in the key, the b9 from the symbol\n2  | Bbm7    # ii of the ii–V to Ab minor\n2  | Eb7     # V7 of Ab: natural tensions\n3  | Abm7    # ii of Db7: Dorian\n3  | Db7     # extended ii–V: a side-step, its own key\n4  | Gm7b5   # iiø7 of C7: Locrian, the key's own notes (its ♭2 is a passing note)\n4  | C7      # V7\u002Fvi in Ab: b9 and b13 are in the key\n5  | Bbm7    # ii of Eb7: Dorian\n5  | Eb7     # V7\u002FI in Ab: natural tensions\n6  | Cm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n6  | F7b9    # V7\u002Fii in Ab: the b13 is in the key, the b9 from the symbol\n7  | Bbm7    # ii of Eb7: Dorian\n7  | Eb7     # V7\u002FI in Ab: natural tensions\n# area: Bb minor (A 8–10)\n8  | Cm7     # ii of the ii–V to Bb minor\n8  | F7b9    # V7 of Bb minor: b9 and b13 are in the key\n9  | Bbm7    # tonic minor: Dorian by convention\n10 | Dbm7    # ii of Gb7: Dorian\n10 | Gb7     # extended ii–V: a side-step, its own key\n# area: F major (A 11–20)\n11 | Gm7     # ii of the ii–V to F\n12 | C7#5    # V7 of F: #11 and b13 from the symbol\n13 | FMaj7   # tonic: the 4th is in the key\n14 | Cm7     # ii of the ii–V to Bb\n14 | F7      # V7\u002FIV in F: natural tensions\n15 | BbMaj7  # the F7 before it makes Bb the key of the moment: the 4th is in the key\n15 | EbMaj7  # ♭VIImaj7, borrowed from F minor: Lydian (its ♯11 is in the key)\n16 | Dm7b5   # iiø7 of G7b9: Locrian, the key's own notes (its ♭2 is a passing note)\n16 | G7b9    # extended ii–V: a side-step, its own key: b9 and b13 are in the key\n17 | Bbm7    # iv7 from the parallel minor: Dorian, its notes\n18 | Dbm7    # ii of Gb7: Dorian\n18 | Gb7     # extended ii–V: a side-step, its own key\n19 | Cm7     # ii of the ii–V to Bb minor\n20 | F7b9    # V7\u002Fiv in F: the b9 from the symbol\n# area: Ab major (A 21–24)\n21 | Bbm7    # ii of the ii–V to Ab\n22 | Eb7     # V7 of Ab: natural tensions\n23 | AbMaj7  # tonic: the 4th is in the key\n23 | DbMaj7  # IV: the #4 is the key’s 7th\n24 | Dm7b5   # iiø7 of C minor: Locrian, the key's own notes (its ♭2 is a passing note)\n24 | G7b9    # V7\u002Fiii in Ab: b9 and b13 are in the key\n@ending 1 9 16\n@ending 2 17 24\n",1793575903247]