[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-partys-over":3},"title: The Party's Over\ncomposer: Jule Styne, Comden, Green\nstyle: Ballad\nkey: Eb\nform: AB, 36 bars\n# analysis: 2026-10-31, rules v2; Eb\n\nsection: A\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | EbMaj7  # tonic: the 4th is in the key\n6  | AbMaj7  # IV: the #4 is the key’s 7th\n7  | Gm7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n8  | C7      # V7\u002Fii in Eb: the b13 is in the key\n9  | Fm7     # ii: Dorian, the key’s own notes\n10 | Abm6    # a minor sixth chord: Dorian\n10 | Db7     # back door bVII7 to EbMaj7: the #11 is in the key\n11 | EbMaj7  # tonic: the 4th is in the key\n12 | EbMaj7\n13 | Dm7     # ii of G7: Dorian\n14 | G7      # extended dominant: each one falls a fifth into the next: natural tensions\n15 | C7      # extended dominant: each one falls a fifth into the next: natural tensions\n15 | F7      # V7 of V7: the dominant of the dominant: natural tensions\n16 | Bb7     # V7 of Eb: natural tensions\n\nsection: B\n1  | EbMaj7  # tonic: the 4th is in the key\n1  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n2  | Fm7     # ii of the ii–V to Eb\n2  | Bb7     # V7 of Eb: natural tensions\n3  | EbMaj7  # tonic: the 4th is in the key\n3  | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4  | Fm7     # ii of the ii–V to Eb\n4  | Bb7     # V7 of Eb: natural tensions\n5  | EbMaj7  # tonic: the 4th is in the key\n6  | EbMaj7\n7  | Bbm7    # ii of the ii–V to Ab\n8  | Eb7     # V7\u002FIV in Eb: natural tensions\n9  | AbMaj7  # the Eb7 before it makes Ab the key of the moment: the 4th is in the key\n10 | Bb7     # V7 in Eb, not resolving: natural tensions\n11 | Gm7b5   # iiø7 of F minor: Locrian, the key's own notes (its ♭2 is a passing note)\n12 | C7      # V7\u002Fii in Eb: the b13 is in the key\n13 | Fm7     # ii of the ii–V to Eb\n14 | Bb7     # V7 of Eb: natural tensions\n15 | EbMaj7  # tonic: the 4th is in the key\n16 | Cm7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n17 | Fm7     # ii of the ii–V to Eb\n18 | Bb7     # V7 of Eb: natural tensions\n19 | Eb6     # tonic: the 4th is in the key\n20 | Fm7     # ii of the ii–V to Eb\n20 | Bb7     # V7 of Eb: natural tensions\n",1793575903179]