[{"data":1,"prerenderedAt":4},["ShallowReactive",2],{"chart:the-opener":3},"title: The Opener\ncomposer: Bill Evans\nstyle: Medium Swing\nkey: C\nform: ABAB, 32 bars\n# analysis: 2026-10-31, rules v2; C\n\nsection: A1\n1 | CMaj7   # tonic: the 4th is in the key\n1 | C7      # I7 in C, not resolving: natural tensions\n2 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n2 | E7alt   # from the symbol: altered\n3 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n3 | Abdim7  # passing diminished: G7♭9 without its G, the C7's dominant (Gm7 its ii)\n4 | Gm7     # ii of the ii–V to F\n4 | C7      # V7\u002FIV in C: natural tensions\n5 | FMaj7   # the C7 before it makes F the key of the moment: the 4th is in the key\n6 | Bm7b5   # iiø7 of A minor: Locrian, the key's own notes (its ♭2 is a passing note)\n6 | E7alt   # from the symbol: altered\n7 | Am7     # ii of the ii–V to G minor\n7 | D7      # V7\u002Fv in C: natural tensions\n8 | Gm9     # ii of the ii–V to F\n8 | C7alt   # from the symbol: altered\n\nsection: B1\n1 | FMaj7   # the C7alt before it makes F the key of the moment: the 4th is in the key\n2 | Bb9     # back door bVII7 to C6: the #11 is in the key\n3 | C6      # tonic: the 4th is in the key\n3 | E7alt   # from the symbol: altered\n4 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | E7alt   # from the symbol: altered\nalt 4 | Am7     # ii of D9: Dorian\nalt 4 | D9      # V7\u002FV in C: natural tensions\n5 | Am7     # ii of D9: Dorian\n6 | D9      # V7\u002FV in C: natural tensions\n7 | Dm7     # ii of G7: Dorian\n7 | G7      # V7\u002FI in C: natural tensions\n8 | Abm7b5  # iiø7 of Db9: Locrian, the key's own notes (its ♭2 is a passing note)\n8 | Db9     # tritone substitute: resolves down a half step to CMaj7\n\nsection: A2\ncopy: A1\n\nsection: B2\n1 | FMaj7   # the C7alt before it makes F the key of the moment: the 4th is in the key\n2 | Bb9     # back door bVII7 to C6: the #11 is in the key\n3 | C6      # tonic: the 4th is in the key\n3 | E7alt   # from the symbol: altered\n4 | Am7     # vi: Aeolian, the key's own notes (the ♭6 is a passing note)\n4 | E7alt   # from the symbol: altered\nalt 4 | Am7     # ii of D9: Dorian\nalt 4 | D9      # V7\u002FV in C: natural tensions\n5 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n5 | Ebm7b5  # biiiø7 in C: Locrian, its own mode (the chord is outside the key)\n6 | Dm7     # ii of the ii–V to C\n6 | G9      # V7 of C: natural tensions\n7 | CMaj7   # tonic: the 4th is in the key\n8 | Dm7     # ii of the ii–V to C\n8 | G7alt   # from the symbol: altered\n@coda 6\n\nsection: Coda\n1 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n1 | A13     # V7\u002Fii in C: the 13 from the symbol\n2 | Dm7     # ii of G9: Dorian\n2 | G9      # V7\u002FI in C: natural tensions\n3 | Em7     # iii: Phrygian, the key's own notes (the ♭2 is a passing note)\n3 | Ebdim7  # passing diminished: D7♭9 without its D, the G9's dominant (Dm7 its ii)\n4 | Dm7     # ii of the ii–V to C\n4 | G9      # V7 of C: natural tensions\n5 | CMaj7   # tonic: the 4th is in the key\n6 | CMaj7\n@coda 1\n",1793575903167]